Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a... Read full biography
Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman... Read full biography
Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams for the next two years. In 1912, Kalish studied with Paul Bartlett at the Academie Colarossi in... Read full biography
Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams for the next two years. In 1912, Kalish studied with Paul Bartlett at the Academie Colarossi in Paris, France. In 1913, he continued his studies with Jean Antoine Injalbert at the Ecole des Beaux-Arts. The financial support of his brother, family and friends had enabled Kalish to travel to Europe. But the money ran out and, though Kalish... Read full biography
Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams for the next two years. In 1912, Kalish studied with Paul Bartlett at the Academie Colarossi in Paris, France. In 1913, he continued his studies with Jean Antoine Injalbert at the Ecole des Beaux-Arts. The financial support of his brother, family and friends had enabled Kalish to travel to Europe. But the money ran out and, though Kalish exhibited two portrait busts in the 1913 Paris Salon, he was forced to return to America, where he worked on the Column of Progress for the 1915 Panam... Read full biography
Max Kalish - Artist Info
About Max Kalish: Books
Books & Publications (23)
Publications based on askART research. List may not be comprehensive.
Loving Art: The William and Anna Singer Collection (Exhibition catalog)
2007
Schretien, Helen
224 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Fine American Art from 1845 to 1960 (Spanierman Gallery, LLC (Exhibition catalog)
2005
Reis, Mary Clare; Lisa N. Peters et all
0 pages (color)
110 Years of American Art:1830-1940 (Spanierman Galleries, LLC) (Exhibition catalog)
2001
Spanierman, Deborah (essay)
136 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Masters of American Sculpture: The Figurative Tradition From the American Renaissance to the Millenium
1994
Reynolds, Donald Martin
275 pages (color)
Fine Arts in Cleveland An Illustrated History
1994
Withcey, Holly/John Vacha
186 pages (color)
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
Arts in America/A Bibliography Volume 1 (Sculpture, the West etc)
1979
Karpel, Bernard/Ruth Spiegel
730 pages
Academy The Academic Tradition in American Art
1978
Fink, Lois Marie
62 pages (color)
American Sculpture A Guide to Information Sources
1977
Ekdahl, Janis
260 pages
Academy The Academic Tradition in American Art (Exhibition catalog)
1975
Fink, Lois M/Joshua Taylor
272 pages
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
One Hundred Contemporary American Jewish Painters and Sculptors
1947
Lozowick, Louis
207 pages
Who's Who in American Art, 1940-1941, Volume III Contemporary American Artists
1940
Ball, Charlotte (editor)
790 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index