A strong devotee of modern art of the 20th century, Mike Bidlo creates exact replicas with free-hand drawings of work by well-known 20th modernists including Picasso and Matisse. Many of his works... Read full biography
A strong devotee of modern art of the 20th century, Mike Bidlo creates exact replicas with free-hand drawings of work by well-known 20th modernists including Picasso and Matisse. Many of his works are devoid of color. His replicas of Duchamp's bottle rack --- the original representing an... Read full biography
A strong devotee of modern art of the 20th century, Mike Bidlo creates exact replicas with free-hand drawings of work by well-known 20th modernists including Picasso and Matisse. Many of his works are devoid of color. His replicas of Duchamp's bottle rack --- the original representing an appropriation of a different sort --- are arranged directly on the floor like skeletal crowns or vertical lobster traps. Bidlo's recreations are intended to irritate the viewer and provoke unease, and many of... Read full biography
A strong devotee of modern art of the 20th century, Mike Bidlo creates exact replicas with free-hand drawings of work by well-known 20th modernists including Picasso and Matisse. Many of his works are devoid of color. His replicas of Duchamp's bottle rack --- the original representing an appropriation of a different sort --- are arranged directly on the floor like skeletal crowns or vertical lobster traps. Bidlo's recreations are intended to irritate the viewer and provoke unease, and many of those who experience that reaction regard their response as a testamony to his strength. One of the irritants is that you are not supposed to copy or imitate other peoples' art. Bidlo, by refusing to be original, is an original. Although he has done... Read full biography
A strong devotee of modern art of the 20th century, Mike Bidlo creates exact replicas with free-hand drawings of work by well-known 20th modernists including Picasso and Matisse. Many of his works are devoid of color. His replicas of Duchamp's bottle rack --- the original representing an appropriation of a different sort --- are arranged directly on the floor like skeletal crowns or vertical lobster traps. Bidlo's recreations are intended to irritate the viewer and provoke unease, and many of those who experience that reaction regard their response as a testamony to his strength. One of the irritants is that you are not supposed to copy or imitate other peoples' art. Bidlo, by refusing to be original, is an original. Although he has done Performances in the past (Jackson Pollock relieving himself in Peggy Guggenheim's fireplace; Andy Warhol's Factory), in the paint... Read full biography
Mike Bidlo - Artist Info
About Mike Bidlo: Books
Books & Publications (17)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
It's All True: Imagining New York's East Village Art Scene of the 1980s
1999
Kirwin, Elizabeth Seton
916 pages
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
The Fate of a Gesture Jackson Pollock and Postwar American Art
1996
Ratcliff, Carter
352 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
The Exile's Return Toward a Redefinition of Painting
1993
McEvilley, Thomas
231 pages
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Art What Thou Eat Images of Food in American Art (Exhibition catalog)
1990
Gustafson, Donna (others)
191 pages (color)
Pop Art A Continuing History
1990
Livingstone, Marco
271 pages (color)
Artwords 2 Discourse on the Early 80s
1988
Siegel, Jeanne (editor)
319 pages
New, Used and Improved Art for the 80's
1987
Frank, Peter/Michael McKenzie
159 pages (color)
Postminimalism into Maximalism American Art 1966-1986
1987
Pincus-Witten, Robert
429 pages
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
The East Village Scene (Exhibition catalog)
1984
Kardon, Janet
64 pages
Neo York Report on a Phenomenon (Exhibition catalog)