The following, submitted as a bulletin by Crispin Garcia, is from The Illustrator in America, 1860-2000, by Walt Reed, p. 347. The career of Mitchell Hooks, like that of many other artists of the... Read full biography
The following, submitted as a bulletin by Crispin Garcia, is from The Illustrator in America, 1860-2000, by Walt Reed, p. 347. The career of Mitchell Hooks, like that of many other artists of the post-World War II era, has been involved to a great extent with paintings for paperback book covers.... Read full biography
The following, submitted as a bulletin by Crispin Garcia, is from The Illustrator in America, 1860-2000, by Walt Reed, p. 347. The career of Mitchell Hooks, like that of many other artists of the post-World War II era, has been involved to a great extent with paintings for paperback book covers. His interpretations have a strong poster quality but also have a subtlety and sensitivity that attracts a closer and longer look. In addition to his book designs for Avon, Bantam, Dell, Popular Library... Read full biography
The following, submitted as a bulletin by Crispin Garcia, is from The Illustrator in America, 1860-2000, by Walt Reed, p. 347. The career of Mitchell Hooks, like that of many other artists of the post-World War II era, has been involved to a great extent with paintings for paperback book covers. His interpretations have a strong poster quality but also have a subtlety and sensitivity that attracts a closer and longer look. In addition to his book designs for Avon, Bantam, Dell, Popular Library and Fawcett publications, Hooks has illustrated for Cosmopolitan, The Saturday Evening Post, The Ladies' Home Journal, Redbook, McCall's, Woman's Day and other magazines. Mitchell was born in Detroit, Michigan. After the war and occupation duty in... Read full biography
The following, submitted as a bulletin by Crispin Garcia, is from The Illustrator in America, 1860-2000, by Walt Reed, p. 347. The career of Mitchell Hooks, like that of many other artists of the post-World War II era, has been involved to a great extent with paintings for paperback book covers. His interpretations have a strong poster quality but also have a subtlety and sensitivity that attracts a closer and longer look. In addition to his book designs for Avon, Bantam, Dell, Popular Library and Fawcett publications, Hooks has illustrated for Cosmopolitan, The Saturday Evening Post, The Ladies' Home Journal, Redbook, McCall's, Woman's Day and other magazines. Mitchell was born in Detroit, Michigan. After the war and occupation duty in Germany, he moved to New York to begin his free-lance illustration career.... Read full biography
Mitchell Hooks - Artist Info
About Mitchell Hooks: Books
Books & Publications (7)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
The Illustrator in America, 1860-2000 The Society of Illustrators
2001
Reed, Walt
452 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Covers of the Saturday Evening Post Seventy Years of Outstanding Illustration
1995
Cohn, Jan
298 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
The Illustrator in America, 1880-1980: A Century of Illustration