The Artists Bluebook 34,000 North American Artists to March 2005
2005AskART.com Inc. -
Dunbier, Lonnie Pierson (Editor)
Dunbier, Lonnie Pierson (Editor)
479 pages
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Artist Books
Books page for Neil Williams ((1934 - 1988)), known for Geometric abstraction, shaped canvas. Showing 17 books.
Neil Williams PUBLICATIONS
1934 Bluff, Utah - 1988 New York, New York. Known for: Geometric abstraction, shaped canvas.
The following biography was submitted by Kim Esteve, February 2005. In "Art In America" (May 1988), Ed Leffingwell wrote that Williams' late work 'corresponds to dominant concerns in the later... Read full biography
The following biography was submitted by Kim Esteve, February 2005. In "Art In America" (May 1988), Ed Leffingwell wrote that Williams' late work 'corresponds to dominant concerns in the later history of Brasilian Modernism. That correspondence is not so readily apparent in the paintings... Read full biography
The following biography was submitted by Kim Esteve, February 2005. In "Art In America" (May 1988), Ed Leffingwell wrote that Williams' late work 'corresponds to dominant concerns in the later history of Brasilian Modernism. That correspondence is not so readily apparent in the paintings themselves. The earlier hard-edged abstractions of his output of the 60s included in the Lawrence Alloway exhibitions "The Shaped Canvas" (1964) and "Systemic Paintings", (1966) at the Guggenheim Museum N.Y.,... Read full biography
The following biography was submitted by Kim Esteve, February 2005. In "Art In America" (May 1988), Ed Leffingwell wrote that Williams' late work 'corresponds to dominant concerns in the later history of Brasilian Modernism. That correspondence is not so readily apparent in the paintings themselves. The earlier hard-edged abstractions of his output of the 60s included in the Lawrence Alloway exhibitions "The Shaped Canvas" (1964) and "Systemic Paintings", (1966) at the Guggenheim Museum N.Y., bear a certain formal relationship to the Concrete and Neo Concrete of Brazilian Artists.'. Williams had developed a technique of painting as a collage in the 70s, applying dried skins of paint directly to the support, while retaining the structural... Read full biography
The following biography was submitted by Kim Esteve, February 2005. In "Art In America" (May 1988), Ed Leffingwell wrote that Williams' late work 'corresponds to dominant concerns in the later history of Brasilian Modernism. That correspondence is not so readily apparent in the paintings themselves. The earlier hard-edged abstractions of his output of the 60s included in the Lawrence Alloway exhibitions "The Shaped Canvas" (1964) and "Systemic Paintings", (1966) at the Guggenheim Museum N.Y., bear a certain formal relationship to the Concrete and Neo Concrete of Brazilian Artists.'. Williams had developed a technique of painting as a collage in the 70s, applying dried skins of paint directly to the support, while retaining the structural device of the shaped canvas. He manufactured these skins independently from the paintings themselves, on sheets of glass. ... Read full biography
Neil Williams - Artist Info
About Neil Williams: Books
Books & Publications (17)
Publications based on askART research. List may not be comprehensive.
Davenport's Art Reference: The Gold Edition
2005Davenport, Ray2,421 pagesLa Nouvelle Abstraction Americaine 1950-1970
2005Humblet, Claudine0 pages (color)Who Was Who in American Art, 1564-1975: Three Volumes
1999Falk, Peter Hastings (Editor)3,724 pagesNeil Williams Works From Brazil 1982-1988
1988Esteve, Kim Lana Jokel36 pages (color)Dictionary of Contemporary American Artists (5th Edition)
1987Cummings, Paul653 pagesWho's Who in American Art-1986 1986
1986Jaques Cattell Press1,292 pagesArt in the San Francisco Bay Area 1945-1980/An Illustrated History
1985Albright, Thomas349 pages (color)The Oxford Companion to Twentieth Century Art
1981Osborne, Harold656 pages (color)The Britannica Encyclopedia of American Art
1981Rugoff, Milton669 pages (color)Who's Who in American Art, 1976 12th Edition
1976Jaques Cattell Press756 pagesModern Art and the Object A Century of Changing Values
1976Johnson, Ellen H240 pagesWhitney Museum of American Art Catalogue of the Collection
1974Baur, John I H235 pages (color)Sources for Tomorrow: 50 American Paintings 1946-1966 James Michener Collection of Allentown Art Museum
1967
(Exhibition catalog)Hirsch, Richard48 pagesSystemic Painting
1966
(Exhibition catalog)Solomon R Guggenheim Museum66 pages (color)Young America 1965 Thirty American Artists Under 35
1965
(Exhibition catalog)Goodrich, Lloyd60 pagesNew York: The New Art Scene
0Soloman, Alan0 pages