PAUL DELAROCHE. Delaroche came out of the tradition of late eighteenth-century French history painting, represented by artists such as François-André Vincent (1746-1817) who focused on episodes from... Read full biography
PAUL DELAROCHE. Delaroche came out of the tradition of late eighteenth-century French history painting, represented by artists such as François-André Vincent (1746-1817) who focused on episodes from French history. Ever since Louis XVI's Directeur des Bâtiments, D'Angiviller conceived of the Grands... Read full biography
PAUL DELAROCHE. Delaroche came out of the tradition of late eighteenth-century French history painting, represented by artists such as François-André Vincent (1746-1817) who focused on episodes from French history. Ever since Louis XVI's Directeur des Bâtiments, D'Angiviller conceived of the Grands hommes (Great Men) series both in painting and sculpture, the trend was set for accurate, realistic depictions of subjects from Medieval, Renaissance, and modern history, frequently treated as... Read full biography
PAUL DELAROCHE. Delaroche came out of the tradition of late eighteenth-century French history painting, represented by artists such as François-André Vincent (1746-1817) who focused on episodes from French history. Ever since Louis XVI's Directeur des Bâtiments, D'Angiviller conceived of the Grands hommes (Great Men) series both in painting and sculpture, the trend was set for accurate, realistic depictions of subjects from Medieval, Renaissance, and modern history, frequently treated as historical genre, in a lighter vein. Hippolyte (Paul) Delaroche, painter of the sensational Execution of Jane Grey in the Tower of London (1834; National Gallery, London), represented a transition from the classic to the romantic style, placing him in the... Read full biography
PAUL DELAROCHE. Delaroche came out of the tradition of late eighteenth-century French history painting, represented by artists such as François-André Vincent (1746-1817) who focused on episodes from French history. Ever since Louis XVI's Directeur des Bâtiments, D'Angiviller conceived of the Grands hommes (Great Men) series both in painting and sculpture, the trend was set for accurate, realistic depictions of subjects from Medieval, Renaissance, and modern history, frequently treated as historical genre, in a lighter vein. Hippolyte (Paul) Delaroche, painter of the sensational Execution of Jane Grey in the Tower of London (1834; National Gallery, London), represented a transition from the classic to the romantic style, placing him in the juste milieu, which combined elements of both. In his teaching he also offered an aesthetic "bridg... Read full biography
Paul Delaroche - Artist Info
About Paul Delaroche: Books
Books & Publications (1)
Publications based on askART research. List may not be comprehensive.
Historical Painting Techniques, Materials, and Studio Practices