Paul Fiene, a native of Germany, came to the United States in 1912. He had a studio in Woodstock, New York from 1919 to 1930, and became well known for his modernist stone carvings and bronzes,... Read full biography
Paul Fiene, a native of Germany, came to the United States in 1912. He had a studio in Woodstock, New York from 1919 to 1930, and became well known for his modernist stone carvings and bronzes, especially his animal pieces. He was a student at the Beaux Arts Institute to Design in New York City,... Read full biography
Paul Fiene, a native of Germany, came to the United States in 1912. He had a studio in Woodstock, New York from 1919 to 1930, and became well known for his modernist stone carvings and bronzes, especially his animal pieces. He was a student at the Beaux Arts Institute to Design in New York City, and there won a first prize in a life class in 1917 and the Prix de Rome, which he had to decline due to lack of funds. He was a studio assistant to Paul Lachaise. The Woodstock Art Association, of... Read full biography
Paul Fiene, a native of Germany, came to the United States in 1912. He had a studio in Woodstock, New York from 1919 to 1930, and became well known for his modernist stone carvings and bronzes, especially his animal pieces. He was a student at the Beaux Arts Institute to Design in New York City, and there won a first prize in a life class in 1917 and the Prix de Rome, which he had to decline due to lack of funds. He was a studio assistant to Paul Lachaise. The Woodstock Art Association, of which he was a member, has a marble penguin on permanent display. Exhibition venues include the Salons of America, Sculptor's Guild, Amercan WaterColor Society, Whitney Museum of American Art, and the Pennsylvania Academy. Paul Fiene's brother was artist... Read full biography
Paul Fiene, a native of Germany, came to the United States in 1912. He had a studio in Woodstock, New York from 1919 to 1930, and became well known for his modernist stone carvings and bronzes, especially his animal pieces. He was a student at the Beaux Arts Institute to Design in New York City, and there won a first prize in a life class in 1917 and the Prix de Rome, which he had to decline due to lack of funds. He was a studio assistant to Paul Lachaise. The Woodstock Art Association, of which he was a member, has a marble penguin on permanent display. Exhibition venues include the Salons of America, Sculptor's Guild, Amercan WaterColor Society, Whitney Museum of American Art, and the Pennsylvania Academy. Paul Fiene's brother was artist Ernest Fiene, and his wife was Rosella Hartman, also an artist. Sources: . Skinner Inc., Auctioneers... Read full biography
Paul Fiene - Artist Info
About Paul Fiene: Books
Books & Publications (15)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York A History (Teachers)
1999
Steiner, Raymond J
0 pages
Masters of American Sculpture: The Figurative Tradition From the American Renaissance to the Millenium
1994
Reynolds, Donald Martin
275 pages (color)
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The Ebsworth Collection: American Modernism, 1911-1947
1987
Saint Louis Art Museum
225 pages (color)
Woodstock's Art Heritage Permanent Collection Woodstock A A
1987
Woodstock Art Association
176 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
Woodstock, An American Art Colony 1902-1977 (Exhibition catalog)
1977
Marling, Karal Ann
220 pages
Who's Who in American Art, 1940-1941, Volume III Contemporary American Artists
1940
Ball, Charlotte (editor)
790 pages
A Treasury of American Prints 100 Etchings and Lithographs by Living Artists
1939
Craven, Thomas (editor)
210 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index