When I began working with glass in 1982, I had no idea that I'd be so connected to the. material in the way that I am. It was only when I began to experiment with using designs. from my Tlingit... Read full biography
When I began working with glass in 1982, I had no idea that I'd be so connected to the. material in the way that I am. It was only when I began to experiment with using designs. from my Tlingit cultural heritage that my work began to take on a new purpose and. direction. Over time, my skill with... Read full biography
When I began working with glass in 1982, I had no idea that I'd be so connected to the. material in the way that I am. It was only when I began to experiment with using designs. from my Tlingit cultural heritage that my work began to take on a new purpose and. direction. Over time, my skill with the material of glass and traditional form line design has. strengthened and evolved, allowing me to explore more fully my own relationship to both. my culture and chosen medium. This evolution, and... Read full biography
When I began working with glass in 1982, I had no idea that I'd be so connected to the. material in the way that I am. It was only when I began to experiment with using designs. from my Tlingit cultural heritage that my work began to take on a new purpose and. direction. Over time, my skill with the material of glass and traditional form line design has. strengthened and evolved, allowing me to explore more fully my own relationship to both. my culture and chosen medium. This evolution, and subsequent commercial success, . has positioned me as an influence on contemporary indigenous art. Through teaching and collaborating in glass with other Native American, Maori,. Hawaiian, and Australian Aboriginal artists, I've come to see that glass... Read full biography
When I began working with glass in 1982, I had no idea that I'd be so connected to the. material in the way that I am. It was only when I began to experiment with using designs. from my Tlingit cultural heritage that my work began to take on a new purpose and. direction. Over time, my skill with the material of glass and traditional form line design has. strengthened and evolved, allowing me to explore more fully my own relationship to both. my culture and chosen medium. This evolution, and subsequent commercial success, . has positioned me as an influence on contemporary indigenous art. Through teaching and collaborating in glass with other Native American, Maori,. Hawaiian, and Australian Aboriginal artists, I've come to see that glass brings another. dimension to indigenous art. The artistic perspective of indigenous people reflects a. unique and vital... Read full biography
Preston Singletary - Artist Info
About Preston Singletary: Books
Books & Publications (2)
Publications based on askART research. List may not be comprehensive.
Challenging Traditions: Contemporary First Nations Art of the Northwest Coast
2009
Thom, Ian M
186 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)