Ray Johnson was a collagist but is best known as the progenitor of mail art with his New York Correspondence School, which he started in the l950s but which bloomed in the early 1960s. Johnson was... Read full biography
Ray Johnson was a collagist but is best known as the progenitor of mail art with his New York Correspondence School, which he started in the l950s but which bloomed in the early 1960s. Johnson was born in Michigan and went to Black Mountain College from l946 to l949, where he studied under Josef... Read full biography
Ray Johnson was a collagist but is best known as the progenitor of mail art with his New York Correspondence School, which he started in the l950s but which bloomed in the early 1960s. Johnson was born in Michigan and went to Black Mountain College from l946 to l949, where he studied under Josef Albers. When he left to move to New York, he met painter/photographer Norman Solomon, with whom he started walking the streets at night, collecting bits and pieces from the streets. Norman used his... Read full biography
Ray Johnson was a collagist but is best known as the progenitor of mail art with his New York Correspondence School, which he started in the l950s but which bloomed in the early 1960s. Johnson was born in Michigan and went to Black Mountain College from l946 to l949, where he studied under Josef Albers. When he left to move to New York, he met painter/photographer Norman Solomon, with whom he started walking the streets at night, collecting bits and pieces from the streets. Norman used his collections to nail to the walls as collages; Ray used his to cut up and mail to his friends. And soon he was asking his friends to mail items to other friends by writing "Please send to". Some of the mailings were forwarded, some were returned and some... Read full biography
Ray Johnson was a collagist but is best known as the progenitor of mail art with his New York Correspondence School, which he started in the l950s but which bloomed in the early 1960s. Johnson was born in Michigan and went to Black Mountain College from l946 to l949, where he studied under Josef Albers. When he left to move to New York, he met painter/photographer Norman Solomon, with whom he started walking the streets at night, collecting bits and pieces from the streets. Norman used his collections to nail to the walls as collages; Ray used his to cut up and mail to his friends. And soon he was asking his friends to mail items to other friends by writing "Please send to". Some of the mailings were forwarded, some were returned and some discarded. Through these means he was able to build up a whole network of artists adding to his original mailings and forwarding... Read full biography
Ray (Edward) Johnson - Artist Info
About Ray (Edward) Johnson: Books
Books & Publications (35)
Publications based on askART research. List may not be comprehensive.
Small Scale Subversion: Mail Art & Artistamps
2015
Held, John Held Jr.
318 pages
Flowers on the Rock: Global and Local Buddhisms in Canada
2014
Harding, John S., Victor Sogen Hori and Alexander Souci
445 pages
Goin' Postal
2007
Dean, Ann and Miles Collyer
95 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Ray Johnson: Correspondences
1999
Salvo, Donna De
224 pages (color)
Hand of the Spirit: Documents of the Seventies from the Morris/Trasov Archive
1994
Watson, Scott and Keith Wallace
48 pages (color)
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Word As Image American Art 1960-1990 (Exhibition catalog)
1990
Bowman, Russell/Dean Sobel
172 pages (color)
Pop Art A Continuing History
1990
Livingstone, Marco
271 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
Twentieth Century Watercolors
1988
Finch, Christopher
310 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
Made In U S A An Americanization in Modern Art '50s & 60s (Exhibition catalog)
1987
Stich, Sidra
280 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Correspondence Art: Source Book for the Network of International Postal Art Activity
1984
Crane, Michael and Mary Stofflet (Editors)
522 pages
The Americans/The Collage (Exhibition catalog)
1982
Contemporary Arts Museum
143 pages (color)
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
Printed Art: A View of Two Decades
1980
Castleman, Riva
144 pages (color)
The Sense of the Self From Self Portrait to Autobiography (Exhibition catalog)
1978
Independent Curators Inc
36 pages
Art About Art
1978
Lipman, Jean/Richard Marshall
176 pages (color)
Image Bank Post Card Show
1977
Acconci, Vito et al
49 pages (color)
Painting and Sculpture in the Museum of Modern Art
1977
Barr, Alfred H
655 pages
Video by Artists
1976
Gale, Peggy
223 pages
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
History of Collage An Anthology of Collage, Assemblage & Event Sructures
1975
Wolfram, Eddie
192 pages (color)
Whitney Museum of American Art Catalogue of the Collection
1974
Baur, John I H
235 pages (color)
Poets of the Cities New York and San Francisco 1950-1965 (Exhibition catalog)
1974
Dallas Museum of Fine Art
174 pages
Who's Who in American Art, 1973
1973
Jaques Cattell Press
927 pages
Concrete Poetry: A Selection in Four Parts (University of British Columbia Fine Arts Gallery)
1969
Rhodes, Michael
31 pages
Pop Art Redefined (Exhibition catalog)
1969
Russell, John/Suzi Gablik
240 pages (color)
Collage: Personalities, Concepts, Techniques
1967
Janis, Harriet/Rudi Blesh
342 pages
Dictionary of Abstract Painting with a History of Abstract Painting