An itinerant, collaborative portrait painter with her husband, Ruth Shute was born in Dover, New Hampshire, and was married in 1827 to artist Samuel Addison Shute, a doctor and portrait painter. They... Read full biography
An itinerant, collaborative portrait painter with her husband, Ruth Shute was born in Dover, New Hampshire, and was married in 1827 to artist Samuel Addison Shute, a doctor and portrait painter. They settled in Weare, New Hampshire but traveled widely to paint portraits. They would advertise in... Read full biography
An itinerant, collaborative portrait painter with her husband, Ruth Shute was born in Dover, New Hampshire, and was married in 1827 to artist Samuel Addison Shute, a doctor and portrait painter. They settled in Weare, New Hampshire but traveled widely to paint portraits. They would advertise in local papers that they were available for portrait painting and stay as long as the commissions lasted. In 1833, in Peterborough, New Hampshire, they finished eighteen portraits in thirty-one days. About... Read full biography
An itinerant, collaborative portrait painter with her husband, Ruth Shute was born in Dover, New Hampshire, and was married in 1827 to artist Samuel Addison Shute, a doctor and portrait painter. They settled in Weare, New Hampshire but traveled widely to paint portraits. They would advertise in local papers that they were available for portrait painting and stay as long as the commissions lasted. In 1833, in Peterborough, New Hampshire, they finished eighteen portraits in thirty-one days. About twenty-five portraits are extant from the early painting period of 1827 to 1831, fifteen by him and ten by Ruth. The earliest signed portrait by both of them was for the Atkinson family in Lowell, Massachusetts, and it is dated 1831. They combined... Read full biography
An itinerant, collaborative portrait painter with her husband, Ruth Shute was born in Dover, New Hampshire, and was married in 1827 to artist Samuel Addison Shute, a doctor and portrait painter. They settled in Weare, New Hampshire but traveled widely to paint portraits. They would advertise in local papers that they were available for portrait painting and stay as long as the commissions lasted. In 1833, in Peterborough, New Hampshire, they finished eighteen portraits in thirty-one days. About twenty-five portraits are extant from the early painting period of 1827 to 1831, fifteen by him and ten by Ruth. The earliest signed portrait by both of them was for the Atkinson family in Lowell, Massachusetts, and it is dated 1831. They combined media in their portraits, using watercolor, pencil, gouache, pastel and gilt-foil. After... Read full biography
Ruth Whittier Shute - Artist Info
About Ruth Whittier Shute: Books
Books & Publications (14)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Paintings Before 1945 in the Wadsworth Atheneum (2 Vols)
1996
Kornhauser, Elizabeth Mankin
877 pages (color)
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Dictionary of Women Artists: An International Dictionary of Women Artists Born Before 1900
1985
Petteys, Chris with Hazel Gustow, Ferris Olin and Verna Ritchie
851 pages
American Women Artists from Early Times to the Present
1982
Rubinstein, Charlotte Streifer
560 pages (color)
American Folk Portraits from the Abby Aldrich Rockefeller Folk Art Center
1981
Rumford, Beatrix
295 pages (color)
American Folk Painters of Three Centuries
1980
Lipman, Jean and Tom Armstrong
233 pages (color)
Folk Painters of America
1979
Bishop, Robert
255 pages (color)
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
American Folk Painters
1975
Ebert, John and Katherine
225 pages (color)
Plain and Fancy A Survey of American Folk Art
1970
Hirschl & Adler Galleries
72 pages (color)
101 American Primitive Watercolor And Pastels (Exhibition catalog)