Samuel Carr was a skillful painter of children, seashore life and pastoral subjects. In his beach scenes, largely painted between 1879 and 1881, he used certain figures and shapes repeatedly,... Read full biography
Samuel Carr was a skillful painter of children, seashore life and pastoral subjects. In his beach scenes, largely painted between 1879 and 1881, he used certain figures and shapes repeatedly, reversing them, turning them this way and that. Often the figures would not even be looking at each other.... Read full biography
Samuel Carr was a skillful painter of children, seashore life and pastoral subjects. In his beach scenes, largely painted between 1879 and 1881, he used certain figures and shapes repeatedly, reversing them, turning them this way and that. Often the figures would not even be looking at each other. He created an odd effect that gave the painting an eerie stillness. Typical of the popular tastes of the second half of the nineteenth century, most of Carrs pastoral scenes were filled with cattle,... Read full biography
Samuel Carr was a skillful painter of children, seashore life and pastoral subjects. In his beach scenes, largely painted between 1879 and 1881, he used certain figures and shapes repeatedly, reversing them, turning them this way and that. Often the figures would not even be looking at each other. He created an odd effect that gave the painting an eerie stillness. Typical of the popular tastes of the second half of the nineteenth century, most of Carrs pastoral scenes were filled with cattle, sheep or goats, depicting different times of day or different seasons. He and Clinton Loveridge, with whom he shared a studio made their living by painting these very competent and peaceful landscapes. Carrs paintings were considered charming and... Read full biography
Samuel Carr was a skillful painter of children, seashore life and pastoral subjects. In his beach scenes, largely painted between 1879 and 1881, he used certain figures and shapes repeatedly, reversing them, turning them this way and that. Often the figures would not even be looking at each other. He created an odd effect that gave the painting an eerie stillness. Typical of the popular tastes of the second half of the nineteenth century, most of Carrs pastoral scenes were filled with cattle, sheep or goats, depicting different times of day or different seasons. He and Clinton Loveridge, with whom he shared a studio made their living by painting these very competent and peaceful landscapes. Carrs paintings were considered charming and warm, and the depicted activities were always happy ones. Little is actually known of his life. He was born in England in 1837, and came to... Read full biography
Samuel S Carr - Artist Info
About Samuel S Carr: Books
Books & Publications (21)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Masterworks of American Painting and Sculpture from Smith College Museum
1999
Editor, Smith College Museum
307 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
American Paintings and Sculpture Sterling & Francine Clark Institute
1990
Conrads, Martha C
219 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
At the Water's Edge: 19th and 20th Century American Beach Scenes Tampa Museum of Art (Exhibition catalog)
1989
Maass, R. Andrew (Foreward); Valerie Ann Leeds (Intro)
140 pages (color)
Bilder aus der Neuen Welt Amerikanische Malerei des 18 und 19 Jahrhunderts
1988
Gaehtgens, Thomas W (editor)
328 pages (color)
A Proud Heritage Two Centuries of American Art
1987
Neff, Terry (editor)
300 pages (color)
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Domestic Bliss Family Life in American Painting 1840-1910 (Exhibition catalog)
1986
Edwards, Lee M; Jan Seidler Ramirez; Timothy Anglin Burgard
160 pages (color)
Nineteenth Century American Painting Thyssen Bornemiszma Collection
1986
Novak, Barbara
326 pages (color)
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Long Island Landscape Painting 1820-1920 (Volume 1)
1985
Pisano, Ronald G
167 pages (color)
Animals in American Art 1880's-1980's (Exhibition catalog)
1981
Nassau County Museum
64 pages (color)
An American Perspective: Nineteenth Century Art From the Collection of Jo Ann & Julian Ganz (Exhibition catalog)
1981
Wilmerding, John; Linda Ayres, Earl Powell
180 pages (color)
Mirror to the American Past A Survey of American Genre Painting 1750-1900
1978
Williams, Herman Warner Jr
248 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)