Sherrie Levine is an American photographer and conceptual artist born April 17, 1947 in Hazleton, Pennsylvania. The artist lives and works in New York. She studied at the University of Wisconsin,... Read full biography
Sherrie Levine is an American photographer and conceptual artist born April 17, 1947 in Hazleton, Pennsylvania. The artist lives and works in New York. She studied at the University of Wisconsin, Madison, receiving her BA in 1969 and MFA in 1973. Biographical information is limited because of the... Read full biography
Sherrie Levine is an American photographer and conceptual artist born April 17, 1947 in Hazleton, Pennsylvania. The artist lives and works in New York. She studied at the University of Wisconsin, Madison, receiving her BA in 1969 and MFA in 1973. Biographical information is limited because of the artist's refusal to take part in what she terms the "myth-making" associated with art production. Levine first gained critical attention in the early 1980s through her association with Cindy Sherman,... Read full biography
Sherrie Levine is an American photographer and conceptual artist born April 17, 1947 in Hazleton, Pennsylvania. The artist lives and works in New York. She studied at the University of Wisconsin, Madison, receiving her BA in 1969 and MFA in 1973. Biographical information is limited because of the artist's refusal to take part in what she terms the "myth-making" associated with art production. Levine first gained critical attention in the early 1980s through her association with Cindy Sherman, Robert Longo, David Salle and others known as "appropriationists" for drawing upon existing imagery from "high" and "low" culture. Her works have been interpreted as comments upon the death of Modernism and its ideals, notions of artistic originality,... Read full biography
Sherrie Levine is an American photographer and conceptual artist born April 17, 1947 in Hazleton, Pennsylvania. The artist lives and works in New York. She studied at the University of Wisconsin, Madison, receiving her BA in 1969 and MFA in 1973. Biographical information is limited because of the artist's refusal to take part in what she terms the "myth-making" associated with art production. Levine first gained critical attention in the early 1980s through her association with Cindy Sherman, Robert Longo, David Salle and others known as "appropriationists" for drawing upon existing imagery from "high" and "low" culture. Her works have been interpreted as comments upon the death of Modernism and its ideals, notions of artistic originality, the authenticity and autonomy of the art object and its status as a commodity. "Untitled," after Walker Evans, 1981, is an 8 x 10 pho... Read full biography
Sherrie Levine - Artist Info
About Sherrie Levine: Books
Books & Publications (29)
Publications based on askART research. List may not be comprehensive.
San Francisco Museum of Modern Art 360 Views on the Collection (Exhibition catalog)
2016
Block, Judy and Suzanne Stein, Editors
360 pages (color)
Art Metropole: The Top 100 (National Gallery of Canada) (Exhibition catalog)
2006
Scott, Kitty et al
137 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Art at the Turn of the Millennium
1999
Larsen, Lars et all
561 pages (color)
Accents on Artists A fact-filled pronunciation guide. Over 800 artist’s names you should know…
1996
Barbara and Peter Toohil
363 pages (color)
Ink, Paper, Metal, Wood Painters and Sculptors at Crown Point Press
1996
Brown, Kathan
287 pages (color)
The Dakis Joannou Collection
1996
Deitch, Jeffrey
302 pages (color)
Art of the Postmodern Era From the Late 1960s to the Early 1990s
1996
Sandler, Irving
636 pages (color)
Printmaking in America Collaborative Prints and Presses 1960-1990
1995
Hansen, Trudy (others)
248 pages (color)
North American Women Artists of the Twentieth Century A Biographical Dictionary
1995
Heller, Jules and Nancy G. Heller
612 pages
Critiques of Pure Abstraction (Exhibition catalog)
1995
Rosenthal, Mark
48 pages (color)
Contemporary Art 1965-1990
1992
Kurtz, Bruce D
256 pages (color)
Allegories of Modernism Contemporary Drawing (Exhibition catalog)
1992
Rose, Bernice
128 pages (color)
Von der Avantgarde bis zur Postmoderne/die Malerei des 20 Jahrhunderts
1991
Murken, Axel/Christa Murken
358 pages (color)
Devil on the Stairs Looking Back on the Eighties (Exhibition catalog)
1991
Storr, Robert/J Tannenbaum
96 pages (color)
Art Since Mid Century 1945 to the Present
1991
Wheeler, Daniel
344 pages (color)
Affinities and Intuitions Gerald S Elliott Collection of Contemporary Art
1990
Benezra, Neal (editor)
312 pages (color)
Women, Art, and Society
1990
Chadwick, Whitney
384 pages (color)
Culture and Commentary An Eighties Perspective
1990
Halbreich, Kathy
195 pages (color)
Pop Art A Continuing History
1990
Livingstone, Marco
271 pages (color)
Art in Place Fifteen Years of Acquisition (Exhibition catalog)
1989
Armstrong, Tom/Susan C Larsen
230 pages (color)
Sherrie Levine (Exhibition catalog)
1988
Krane, Susan/P Rosenberg
24 pages (color)
Making Their Mark: Women Artists Move Into the Mainstream
1988
Rosen, Randy, et al
300 pages (color)
Artwords 2 Discourse on the Early 80s
1988
Siegel, Jeanne (editor)
319 pages
Blasted Allegories An Anthology of Writings by Contemporary Artists