Constructivist and printmaker Sue Fuller was born in 1914 in Pittsburgh, Pennsylvania, gaining her B.A. Degree in 1936 from Carnegie Institute of Technology. She studied printmaking for a year at... Read full biography
Constructivist and printmaker Sue Fuller was born in 1914 in Pittsburgh, Pennsylvania, gaining her B.A. Degree in 1936 from Carnegie Institute of Technology. She studied printmaking for a year at Columbia University's Teachers College in 1939. Perhaps of even greater importance in forming her... Read full biography
Constructivist and printmaker Sue Fuller was born in 1914 in Pittsburgh, Pennsylvania, gaining her B.A. Degree in 1936 from Carnegie Institute of Technology. She studied printmaking for a year at Columbia University's Teachers College in 1939. Perhaps of even greater importance in forming her artistic character was her exposure to two leading abstractionists, one essentially an expressionist (Hans Hofmann), the other the producer of the geometric "Homage to the Square" series, Josef Albers.... Read full biography
Constructivist and printmaker Sue Fuller was born in 1914 in Pittsburgh, Pennsylvania, gaining her B.A. Degree in 1936 from Carnegie Institute of Technology. She studied printmaking for a year at Columbia University's Teachers College in 1939. Perhaps of even greater importance in forming her artistic character was her exposure to two leading abstractionists, one essentially an expressionist (Hans Hofmann), the other the producer of the geometric "Homage to the Square" series, Josef Albers. Fuller studied with Hofmann at the Thurn School of Art during the summer of her sophomore year at Carnegie Tech; later with Albers in 1944 at a Bauhaus class in the U.S. Stanley William Hayter, an important figure in the world of etching in the 1940s,... Read full biography
Constructivist and printmaker Sue Fuller was born in 1914 in Pittsburgh, Pennsylvania, gaining her B.A. Degree in 1936 from Carnegie Institute of Technology. She studied printmaking for a year at Columbia University's Teachers College in 1939. Perhaps of even greater importance in forming her artistic character was her exposure to two leading abstractionists, one essentially an expressionist (Hans Hofmann), the other the producer of the geometric "Homage to the Square" series, Josef Albers. Fuller studied with Hofmann at the Thurn School of Art during the summer of her sophomore year at Carnegie Tech; later with Albers in 1944 at a Bauhaus class in the U.S. Stanley William Hayter, an important figure in the world of etching in the 1940s, also provided Fuller a major artistic experience. She served as his assistant at Atelier 17 in New York City during the latter War years, 1943-19... Read full biography
Sue Fuller - Artist Info
About Sue Fuller: Books
Books & Publications (39)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Art Students League of New York: A History (Students)
1999
Steiner, Raymond J
187 pages
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
North American Women Artists of the Twentieth Century A Biographical Dictionary
1995
Heller, Jules and Nancy G. Heller
612 pages
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
A Spectrum of Innovation Color in American Printmaking 1890-1960 (Exhibition catalog)
1990
Acton, David
304 pages (color)
American Women Sculptors: A History of Women Working in Three Dimensions
1990
Rubinstein, Charlotte Streifer
638 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
The American Collections Columbus Museum of Art
1988
Columbus Museum of Art
271 pages (color)
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
World Artists 1950-1980
1984
Marks, Claude
912 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
American Printmaking A Century of American Printmaking 1880-1980
1984
Watrous, James
334 pages (color)
American Women Artists from Early Times to the Present
1982
Rubinstein, Charlotte Streifer
560 pages (color)
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
Women Artists in Washington Collections (Exhibition catalog)
1979
Withers, Josephine
144 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
American Paintings in the High Museum of Art/Bicentenial Catalogue