A leading American Impressionist, Theodore Robinson was perhaps the most traditionally French in style. Originally from Wisconsin, he studied art in Chicago and New York before moving on to France... Read full biography
A leading American Impressionist, Theodore Robinson was perhaps the most traditionally French in style. Originally from Wisconsin, he studied art in Chicago and New York before moving on to France for the better part of two decades. Arriving in 1876, he studied with Carolus Duran and Jean Leon... Read full biography
A leading American Impressionist, Theodore Robinson was perhaps the most traditionally French in style. Originally from Wisconsin, he studied art in Chicago and New York before moving on to France for the better part of two decades. Arriving in 1876, he studied with Carolus Duran and Jean Leon Gerome. Duran was spontaneous, and one only has to see the work of John Singer Sargent to appreciate those qualities. On the other hand Gerome was meticulous, much like his American pupil Thomas Eakins.... Read full biography
A leading American Impressionist, Theodore Robinson was perhaps the most traditionally French in style. Originally from Wisconsin, he studied art in Chicago and New York before moving on to France for the better part of two decades. Arriving in 1876, he studied with Carolus Duran and Jean Leon Gerome. Duran was spontaneous, and one only has to see the work of John Singer Sargent to appreciate those qualities. On the other hand Gerome was meticulous, much like his American pupil Thomas Eakins. Robinson wanted to achieve both. He did this through pioneering use of photography, and well orchestrated, large-scale compositions. The subjects were a product of his rural American background, often relating the art of Winslow Homer, whose work he... Read full biography
A leading American Impressionist, Theodore Robinson was perhaps the most traditionally French in style. Originally from Wisconsin, he studied art in Chicago and New York before moving on to France for the better part of two decades. Arriving in 1876, he studied with Carolus Duran and Jean Leon Gerome. Duran was spontaneous, and one only has to see the work of John Singer Sargent to appreciate those qualities. On the other hand Gerome was meticulous, much like his American pupil Thomas Eakins. Robinson wanted to achieve both. He did this through pioneering use of photography, and well orchestrated, large-scale compositions. The subjects were a product of his rural American background, often relating the art of Winslow Homer, whose work he was known to have admired. Robinson worked on both sides of the Atlantic until 1884 when he made France his... Read full biography
Theodore Robinson - Artist Info
About Theodore Robinson: Books
Books & Publications (219)
Publications based on askART research. List may not be comprehensive.
An Impressionist Sensibility: The Halff Collection (Exhibition catalog)
2006
Harvey, Eleanor Jones
136 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
In Monet's Light: Theodore Robinson at Giverny (Exhibition catalog)
2004
224 pages (color)
Chicago Modern 1893-1945: Pursuit of the New (Exhibition catalog)
2004
Kennedy, Elizabeth (Editor)
176 pages (color)
Famous Wisconsin Artists and Architects
2004
Levy, Hannah Heidi
316 pages
The Golden Age of American Impressionism (Exhibition catalog)
2003
Gerdts, William H (essay)
128 pages (color)
Americans in Paris, 1850-1910 (Exhibition catalog)
2003
Oklahoma City Museum
128 pages (color)
An Endless Panorama of Beauty: Selections from the Jean and Alvin Snowiss Collection (Exhibition catalog)
2003
Palmer Museum of Art
142 pages (color)
American Beauty: Paintings from Detroit Institute of Arts, 1770-1920 (Exhibition catalog)
2002
Beal, Graham
128 pages (color)
Pennsylvania Impressionism
2002
Gerdts, William; Brian H. Peterson & Yount
340 pages (color)
Drawn to Yellowstone: Artists in America's First National Park
2002
Hassrick, Peter H
248 pages (color)
An American Point of View The Daniel J. Terra Collection (Exhibition catalog)
2002
Kennedy and Bourguignon(essays
194 pages (color)
The Spirit of America: American Art from 1829 to 1970 (Exhibition catalog)
2002
Spanierman Gallery (Editor)
120 pages (color)
The Cos Cob Art Colony Impressionists on the Connecticut Shore
2001
Larkin, Susan G.
246 pages (color)
110 Years of American Art:1830-1940 (Spanierman Galleries, LLC) (Exhibition catalog)
2001
Spanierman, Deborah (essay)
136 pages (color)
American Impressionists Abroad And at Home
2001
Weinberg, H Barbara; S Larkin
0 pages
Tranquil America: A Century of Painting, 1840-1940 (Exhibition catalog)
2000
Editor, Spanierman Gallery
0 pages
American Paintings: 1860-1940
2000
Greer, Gina; Andrea Smith
0 pages
Masterworks of American Painting and Sculpture from Smith College Museum
1999
Editor, Smith College Museum
307 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Carl W Peters: American Scene Painter from Rochester
1999
Love, Richard H
927 pages (color)
The Marshall Collection (Exhibition catalog)
1999
Love, Richard H; William H. Marshall
108 pages (color)
The Eye of Duncan Phillips A Collection in the Making
1999
Passantino, Erika D (editor)
819 pages (color)
American Dreams: Paintings and Decorative Arts from Warner Collection (Exhibition catalog)
1998
Curry, David; Elizabeth O'Leary
78 pages (color)
Twelve American Masterpieces (Exhibition catalog)
1998
Gerdts, William H (Intro)
96 pages (color)
Addison Gallery of American Art 65 Years A Selective Catalogue (Exhibition catalog)
1996
Addison Gallery
512 pages (color)
American Paintings Before 1945 in the Wadsworth Atheneum (2 Vols)
1996
Kornhauser, Elizabeth Mankin
877 pages (color)
Art and the Higher Life Painting and Evolutionary Thought*
1996
Pyne, Kathleen
416 pages (color)
American Art Colonies 1850-1930 A Guide to Original Art Colonies and Their Artists
1996
Shipp, Steve
159 pages
American Art History and Culture
1994
Craven, Wayne
687 pages (color)
Impressionist New York
1994
Gerdts, William H
224 pages (color)
American Paintings at the High Museum of Art
1994
High Museum of Art
216 pages (color)
Catalogue of The Collection: Museum, St. Petersburg Florida
1994
Lesko, Diane, (Ed)
366 pages (color)
American Painters in the Age of Impressionism
1994
Neff, Emily/G T M Shackelford
144 pages (color)
Master Paintings from the Butler Institute of American Art
1994
Sweetkind, Irene/W H Gerdts
372 pages (color)
American Impressionism and Realis The Painting of Modern Life 1885-1915 (Exhibition catalog)
1994
Weinberg, H Barbara (others)
400 pages (color)
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
The Nelson-Atkins Museum of Art A Handbook of the Collection
1993
Ward, Roger and Patricia J Fidler (Compilers and Editors)
414 pages (color)
The Apple of America The Apple in 19th Century American Art (Exhibition catalog)
1993
Weber, Bruce
48 pages (color)
The Lost Impressionists: Masterpieces from Private Collections
1992
de Vries-Evans, Susanna
0 pages (color)
Masterworks of American Impressionism from the Pfeil Collection (Exhibition catalog)
1992
Gerdts, William H
282 pages (color)
Lasting Impressions: American Painters in France, 1865-1915 (Exhibition catalog)
1992
Gerdts, William H (essay); Helene Ahrweiler, Roger Mandle
286 pages (color)
A Nation's Pride Art in the White House
1992
Kloss, William (et al)
375 pages (color)
Hidden Treasures American Paintings from Florida Colllections (Exhibition catalog)
1992
Leeds, Valerie Ann
72 pages (color)
American Selections 1850-1950 (Exhibition catalog)
1992
Lublin, Mary
163 pages (color)
American Paintings and Sculpture to 1945 in the Carnegie Museum of Art
1992
Strazdes, Diana
511 pages (color)
Connecticut Masters: Fine Arts and Antiques Collections of Hartford Steam
1991
Ed: Hartford Boiler Coll.
271 pages (color)
American Impressionism from the Sheldon Memorial Gallery (Exhibition catalog)
1991
Gerdts, William (Essay); George Neubert, (Editor)
79 pages (color)
Impressionism in America The Ten American Painters