Known for his bucolic landscapes with grazing cows, Thomas Craig was born in Philadelphia where he remained until 1889 and then moved to New York City until 1899. He finally settled in Rutherford,... Read full biography
Known for his bucolic landscapes with grazing cows, Thomas Craig was born in Philadelphia where he remained until 1889 and then moved to New York City until 1899. He finally settled in Rutherford, New Jersey, but maintained a summer studio in Woodland Valle, near Phoenicia, New York. He was largely... Read full biography
Known for his bucolic landscapes with grazing cows, Thomas Craig was born in Philadelphia where he remained until 1889 and then moved to New York City until 1899. He finally settled in Rutherford, New Jersey, but maintained a summer studio in Woodland Valle, near Phoenicia, New York. He was largely self taught, but his activity in the Philadelphia Sketch Club, 1873 to 1876, suggests he was a student of Thomas Eakins. He exhibited for forty-five years at the National Academy of Design. He... Read full biography
Known for his bucolic landscapes with grazing cows, Thomas Craig was born in Philadelphia where he remained until 1889 and then moved to New York City until 1899. He finally settled in Rutherford, New Jersey, but maintained a summer studio in Woodland Valle, near Phoenicia, New York. He was largely self taught, but his activity in the Philadelphia Sketch Club, 1873 to 1876, suggests he was a student of Thomas Eakins. He exhibited for forty-five years at the National Academy of Design. He frequently painted in the White Mountains of New Hampshire. Sources include: . Peter Falk, Who Was Who in American Art. William Patterson & David Zellin, Thomas Eakins and His Fellow Artists at the Philadelphia Sketch Club... Read full biography
Known for his bucolic landscapes with grazing cows, Thomas Craig was born in Philadelphia where he remained until 1889 and then moved to New York City until 1899. He finally settled in Rutherford, New Jersey, but maintained a summer studio in Woodland Valle, near Phoenicia, New York. He was largely self taught, but his activity in the Philadelphia Sketch Club, 1873 to 1876, suggests he was a student of Thomas Eakins. He exhibited for forty-five years at the National Academy of Design. He frequently painted in the White Mountains of New Hampshire. Sources include: . Peter Falk, Who Was Who in American Art. William Patterson & David Zellin, Thomas Eakins and His Fellow Artists at the Philadelphia Sketch Club... Read full biography
Thomas Bigelow Craig - Artist Info
About Thomas Bigelow Craig: Books
Books & Publications (31)
Publications based on askART research. List may not be comprehensive.
Treasured Landscapes: National Park Service Art Collections Tell America's Stories (National Park Service)
2016
Bacharach, Joan (General Editor)
160 pages (color)
Salmagundi Club Painting Exhibition Records 1940-1951 and Water Color Exhibition Records 1900-1951
2009
Katlan, Alexander W.
623 pages
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Thomas Eakins and His Fellow Artists at the Philadelphia Sketch Club (Exhibition catalog)
2001
Sellin, David; Mark Sullivan
52 pages (color)
Boston Art Club: 1855-1950
2000
Jarzombek, Nancy Allyn
88 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Revisiting the White City American Art at the 1893 World's Fair (Exhibition catalog)
1993
Carr, Carolyn K
408 pages (color)
Fifty Years on Chestnut Street
1993
Schwarz-Philadelphia
80 pages (color)
A Special Exhibition of American Paintings Priced Under $7,500. (Exhibition catalog)
1992
Thiede, Rolf; Carolyn Park, Robert D. Schwarz
72 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
The American Paintings (in the) Pennsylvania Academy of Fine Art
1989
Fresella-Lee, Nancy
222 pages (color)
Lauren Rogers Museum of Art Handbook of the Collections
1989
Lauren Rogers Museum of Art
198 pages (color)
Annual Exhibition Record, 1807-1870, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1988
Falk, Peter Hastings
472 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
National Museum of American Art's Index, American Art Exhibitions thru 1876
1986
Yarnell and Gerdts, compilers
0 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
New Hampshire Scenery
1985
Campbell, Catherine
0 pages
Artists of the American West: Three Volumes A Biographical Dictionary
1985
Dawdy, Doris
1,184 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
American Art in the Newark Museum Paintings, Drawings and Sculpture
1981
Newark Museum
431 pages (color)
American Art in the Barbizon Mood
1975
Birmingham, Peter
0 pages (color)
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
Tonalism: An American Interpretation of Landscape (Exhibition catalog)
1970
Cohen, Mildred
0 pages
Painting and Sculpture in New Jersey (Exhibition catalog)
1965
Gerdts, William Jr
0 pages
Early New Jersey Artists of the 18th/19th Century (Exhibition catalog)
1957
Editor, Newark Museum
78 pages (color)
History of the National Academy of Design, 1825-1953
1954
Clark, Eliot
296 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index