Born Bernard Rosenthal in 1914 Highland Park, Illinois, Tony Rosenthal earned a B.F.A. from the University of Michigan and from Cranbrook Academy of Art. Since 1960 the Artist was professionally... Read full biography
Born Bernard Rosenthal in 1914 Highland Park, Illinois, Tony Rosenthal earned a B.F.A. from the University of Michigan and from Cranbrook Academy of Art. Since 1960 the Artist was professionally known and credited as Tony Rosenthal, when Sam Kootz, the Art Dealer persuaded Mr. Rosenthal to use his... Read full biography
Born Bernard Rosenthal in 1914 Highland Park, Illinois, Tony Rosenthal earned a B.F.A. from the University of Michigan and from Cranbrook Academy of Art. Since 1960 the Artist was professionally known and credited as Tony Rosenthal, when Sam Kootz, the Art Dealer persuaded Mr. Rosenthal to use his nickname, Tony. When the Artist celebrated his 92nd birthday, he expressed a preference for the Tony Rosenthal credit for all Works of Art he created over 7 decades. Mr. Rosenthal is probably best... Read full biography
Born Bernard Rosenthal in 1914 Highland Park, Illinois, Tony Rosenthal earned a B.F.A. from the University of Michigan and from Cranbrook Academy of Art. Since 1960 the Artist was professionally known and credited as Tony Rosenthal, when Sam Kootz, the Art Dealer persuaded Mr. Rosenthal to use his nickname, Tony. When the Artist celebrated his 92nd birthday, he expressed a preference for the Tony Rosenthal credit for all Works of Art he created over 7 decades. Mr. Rosenthal is probably best known Internationally for creating The Alamo, 1967, also known as the Astor Place Cube, the Monumental 15' Rotating Black CorTen Steel Cube, poised on its tip, which has been permanent installation on Astor Place in downtown Manhattan since the 60's.... Read full biography
Born Bernard Rosenthal in 1914 Highland Park, Illinois, Tony Rosenthal earned a B.F.A. from the University of Michigan and from Cranbrook Academy of Art. Since 1960 the Artist was professionally known and credited as Tony Rosenthal, when Sam Kootz, the Art Dealer persuaded Mr. Rosenthal to use his nickname, Tony. When the Artist celebrated his 92nd birthday, he expressed a preference for the Tony Rosenthal credit for all Works of Art he created over 7 decades. Mr. Rosenthal is probably best known Internationally for creating The Alamo, 1967, also known as the Astor Place Cube, the Monumental 15' Rotating Black CorTen Steel Cube, poised on its tip, which has been permanent installation on Astor Place in downtown Manhattan since the 60's. The Alamo was the first permanent contemporary outdoor public sculpture installed in 1967, and... Read full biography
Tony (Bernard) Rosenthal - Artist Info
About Tony (Bernard) Rosenthal: Books
Books & Publications (27)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
American Abstract Expressionism of the 1950s: An Illustrated Survey
2003
Herskovic, Marika (editor)
372 pages (color)
Tony Rosenthal
2001
Hunter, Sam; Trudie Grace
90 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Annual Exhibition Record of the Art Institute of Chicago (Exhibition catalog)
1990
Falk, Peter Hastings (Editor)
1,117 pages
Annual Exhibition Record, 1914-68, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1989
Falk, Peter Hastings (Editor)
538 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
The Empire State Collection Art for the Public
1987
Sandler, Irving
214 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
Urban Encounters Art, Architecture, Audience
1980
Institute of Contemporary Art
64 pages (color)
American Art Painting, Sculpture, Architecture, Decorative Arts
1979
Brown, Milton W (others)
616 pages (color)
Arts in America/A Bibliography Volume 1 (Sculpture, the West etc)
1979
Karpel, Bernard/Ruth Spiegel
730 pages
Role and Impact: The Chicago Society of Artists
1979
Yochim, Louise Dunn
297 pages
Painting and Sculpture in the Museum of Modern Art
1977
Barr, Alfred H
655 pages
American Sculpture A Guide to Information Sources
1977
Ekdahl, Janis
260 pages
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
Modern American Sculpture
1967
Ashton, Dore
130 pages (color)
Profile: Art and Artists in the USA on the Occasion of 4th Congress ...
1963
International Assoc. of Art
119 pages
American Art Since 1950 A Loan Exhibition (Exhibition catalog)
1962
Hunter, Sam
83 pages (color)
Conversations with Artists 35 Painters, Sculptors and Architects
1961
Rodman, Selden
234 pages
The Arizona State College Collection of American Art