A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to... Read full biography
A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color-based and expressionist abstraction for over six decades. During his undergraduate years at Princeton... Read full biography
A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color-based and expressionist abstraction for over six decades. During his undergraduate years at Princeton University, he joined fellow students, the painter Frank Stella and the critic and art historian Michael Fried in conversations that expanded aesthetic definitions and led to an emphasis on... Read full biography
A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color-based and expressionist abstraction for over six decades. During his undergraduate years at Princeton University, he joined fellow students, the painter Frank Stella and the critic and art historian Michael Fried in conversations that expanded aesthetic definitions and led to an emphasis on opticality as the defining feature of pictorial art. Bannard has continued to explore attributes of color, paint, and surface through innovative methods, striving throughout his career for vital and original expressive means. He has also been an important... Read full biography
A leading figure in the development of Color Field Painting in the late 1950s and an important American abstract painter, Walter Darby Bannard (better known as Darby Bannard) was committed to color-based and expressionist abstraction for over six decades. During his undergraduate years at Princeton University, he joined fellow students, the painter Frank Stella and the critic and art historian Michael Fried in conversations that expanded aesthetic definitions and led to an emphasis on opticality as the defining feature of pictorial art. Bannard has continued to explore attributes of color, paint, and surface through innovative methods, striving throughout his career for vital and original expressive means. He has also been an important writer on formalist issues in art, serving as an editor for Artforum and a contributor to Art International. His extensive pu... Read full biography
Walter Darby Bannard - Artist Info
About Walter Darby Bannard: Books
Books & Publications (34)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who's Who in American Art, 2004 2003 - 2004 (25th Edition)
2004
McGowan, Alison C (Editor)
1,512 pages
Clement Greenburg: A Critic's Collection Portland Art Museum, Portland, Oregon (Exhibition catalog)
2001
Wilkin, Karen and Bruce Guenther
0 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Who's Who in American Art, 1997-1998
1997
Marquis Who's Who
1,515 pages
Who's Who in American Art, 1993-1994, 20th Edition (American Federation of Arts)
1993
Bowker R R
1,473 pages
Modernism in Dispute Art Since the Forties
1992
Wood, Paul (others)
267 pages (color)
Contemporary Artists (3rd Edition)
1989
Naylor, Colin (editor)
1,059 pages
The American Painting Collection of the Sheldon Memorial Art Gallery
1988
Geske, Norman and Karen O. Janovy
376 pages (color)
Walter Darby Bannard (Exhibition catalog)
1988
Love, Richard H.
8 pages
Dictionary of Contemporary American Artists (5th Edition)
1987
Cummings, Paul
653 pages
A Guide to the Collections: Smith College Museum of Art
1986
Chetham, Charles; David Grose
312 pages (color)
Who's Who in American Art-1986 1986
1986
Jaques Cattell Press
1,292 pages
Definitive Statements: American Art 1964-66 Brown University Department of Art (Exhibition catalog)
1986
Plante, Michael; Christopher Campbell, Megan Fox, et all
181 pages
Rose Art Museum Selected 20th Century Paintings
1986
Rose Art Museum
147 pages (color)
San Francisco Museum of Modern Art Paintings and Sculpture Collection
1985
DuPont, Diana, K Holland
402 pages (color)
American Artists: An Illustrated Survey of Leading Contemporary Americans
1985
Krantz, Les
347 pages (color)
American Art in the Newark Museum Paintings, Drawings and Sculpture
1981
Newark Museum
431 pages (color)
The Oxford Companion to Twentieth Century Art
1981
Osborne, Harold
656 pages (color)
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
Dictionary of American Art
1979
Baigell, Mathew
390 pages
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
The Toledo Museum of Art American Paintings
1979
Strickler, Susan (Catalogue); William Hutton (Editor)
227 pages (color)
The American Painting Collection of the Montclair Art Museum
1977
Gamble, Kathryn (Foreward); Thomas Hoving, William Gerdts, Lloyd Goodrich
268 pages (color)
Who's Who in American Art, 1976 12th Edition
1976
Jaques Cattell Press
756 pages
American Art Since 1945 From the Collection of MOMA
1975
Legg, Alicia
84 pages (color)
Whitney Museum of American Art Catalogue of the Collection
1974
Baur, John I H
235 pages (color)
The Great Decade of American Abstraction (Exhibition catalog)