Born in Warwick, England, William Hubard became a portrait painter of historical interest, but his execution is considered awkward and ordinary. When he was a child, his early talent for cutting... Read full biography
Born in Warwick, England, William Hubard became a portrait painter of historical interest, but his execution is considered awkward and ordinary. When he was a child, his early talent for cutting likenesses was discovered by a man named Smith, who took advantage of him. Smith brought Hubard to the... Read full biography
Born in Warwick, England, William Hubard became a portrait painter of historical interest, but his execution is considered awkward and ordinary. When he was a child, his early talent for cutting likenesses was discovered by a man named Smith, who took advantage of him. Smith brought Hubard to the United States in 1824, and Hubard, after 3 years in Boston and New York, broke away from him. Gilbert Stuart persuaded Hubard to begin oil portraits, and with the help of Thomas Sully, he set up a... Read full biography
Born in Warwick, England, William Hubard became a portrait painter of historical interest, but his execution is considered awkward and ordinary. When he was a child, his early talent for cutting likenesses was discovered by a man named Smith, who took advantage of him. Smith brought Hubard to the United States in 1824, and Hubard, after 3 years in Boston and New York, broke away from him. Gilbert Stuart persuaded Hubard to begin oil portraits, and with the help of Thomas Sully, he set up a studio as a portrait painter in 1829. Between 1838 and 1851, he added genre and historical themes to his repertoire and in 1850 began sculpture. He spent his savings and seven years on a marble bust of George Washington, a copy of one by Jean Houdon.... Read full biography
Born in Warwick, England, William Hubard became a portrait painter of historical interest, but his execution is considered awkward and ordinary. When he was a child, his early talent for cutting likenesses was discovered by a man named Smith, who took advantage of him. Smith brought Hubard to the United States in 1824, and Hubard, after 3 years in Boston and New York, broke away from him. Gilbert Stuart persuaded Hubard to begin oil portraits, and with the help of Thomas Sully, he set up a studio as a portrait painter in 1829. Between 1838 and 1851, he added genre and historical themes to his repertoire and in 1850 began sculpture. He spent his savings and seven years on a marble bust of George Washington, a copy of one by Jean Houdon. When the Civil War began, he tried to recover his lost fortune by making ammunition for the Confederacy. He was killed in an explosion at the foun... Read full biography
William James Hubard - Artist Info
About William James Hubard: Books
Books & Publications (42)
Publications based on askART research. List may not be comprehensive.
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Old Virginia: The Pursuit of a Pastoral Ideal
2003
Rasmussen, William M.S.; Robert S. Tilton
252 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Eyes of the Nation A Visual History of the United States
1997
Virga, Vincent/Alan Brinkley
400 pages (color)
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Art Across America: The South, Near Midwest (Volume Two)
1990
Gerdts, William H
396 pages (color)
Sport in Art From American Museums (Exhibition catalog)
1990
Plimpton, George; J. Carter Brown
128 pages (color)
Annual Exhibition Record, 1807-1870, Pennsylvania Academy of the Fine Arts (Exhibition catalog)
1988
Falk, Peter Hastings
472 pages
The Portrait in Britain and America with Biographical Dictionary of Portraitists 1680-1914
1987
Simon, Robin
255 pages (color)
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
National Portrait Gallery Collection Illustrated Checklist
1985
Smithsonian Institution
461 pages
Dictionary of American Sculptors: 18th Century to Present
1984
Opitz, Glenn B (editor)
656 pages
American Portrait Prints Tenth Annual American Print Conference
1984
Reaves, Wendy Wick
285 pages
American Painting 1750-1900 from the Baltimore Museum of Art
1983
Johnston, Sona K
187 pages (color)
The Art of the Old South: Painting, Sculpture, Architecture and the Products of Craftsmen
1983
Poesch, Jessie
384 pages (color)
Painting in the South: 1564-1980 (Exhibition catalog)
1983
Virginia Museum, Richmond
362 pages (color)
Artists in Virginia Before 1900: An Annotated Checklist
1983
Wright, R Lewis
200 pages
Dictionary of 19th Century American Artists in Italy (1760-1940)
1982
Soria, Regina
332 pages
American Paintings at Yale University: An illustrated Checklist (Exhibition catalog)
1982
Stebbins, Theodore/G Gorokhoff
213 pages
The Britannica Encyclopedia of American Art
1981
Rugoff, Milton
669 pages (color)
The Boston Athenaeum Art Exhibition Index 1827-1874 (Exhibition catalog)
1980
Perkins, Robert/Wm J Gavin III
325 pages (color)
Dictionary of American Art
1979
Baigell, Mathew
390 pages
Arts in America/A Bibliography Volume 2 (Painting and Graphics)
1979
Karpel, Bernard/Ruth Spiegel
736 pages
The American Portrait: From the Death of Stuart to Sargent
1973
Hennessey, William J
63 pages
A Nineteenth Century Gallery of Distinguished Americans
1969
Stewart, Robert G
93 pages
Arts of the Young Republic The Age of William Dunlap (Exhibition catalog)
1968
Dickson, Harold E
234 pages
American Art A Historical Survey
1966
Green, Samuel M
706 pages
American Paintings from the Metropolitan Museum of Art
1966
Los Angeles County Museum
143 pages (color)
American Paintings V 1, Catalog, Metropolitan Museum
1965
Gardner, Albert and S Field
284 pages
Three Hundred Years of American Painting
1957
Eliot, Alexander
318 pages (color)
The New York Historical Society's Dictionary of Artists in America 1564-1860
1957
Groce, George; David Wallace
759 pages
American Painting History and Interpretation
1950
Barker, Virgil
715 pages
Two Hundred and Fifty Years (of) Painting in Maryland (Exhibition catalog)
1945
Baltimore Museum of Art
78 pages
American Romantic Painting
1944
Richardson, Edgar P
286 pages
Life in America Exhibition Paintings/New York World's Fair (Exhibition catalog)
1939
Metropolitan Museum of Art
230 pages
Gilbert Stuart and His Pupils From Conversations with Gilbert Stuart
1939
Morgan, John Hii
0 pages
The Main Currents in the Development of American Art (Exhibition catalog)
1936
Virginia Museum of Fine Arts
80 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index
1935
Mallett, Daniel Trowbridge
1,130 pages
Shades of Our Ancestors American Profiles and Profilists
1928
Carrick, Alice Van Leer
205 pages
A History of the Rise and Progress of the Arts of Design in the United States (Revised edition from 1834)