A "plein aire" painter, he took huge canvases into the open, and built shelters around them to complete his landscapes on site. He set up his studio in Lowell, Massachusetts, but traveled widely... Read full biography
A "plein aire" painter, he took huge canvases into the open, and built shelters around them to complete his landscapes on site. He set up his studio in Lowell, Massachusetts, but traveled widely along the New England coast and the American West. In 1886, he did his most monumental work, a 7 x 12... Read full biography
A "plein aire" painter, he took huge canvases into the open, and built shelters around them to complete his landscapes on site. He set up his studio in Lowell, Massachusetts, but traveled widely along the New England coast and the American West. In 1886, he did his most monumental work, a 7 x 12 foot canvas of the Grand Canyon, which he accomplished by constructing a huge frame on the edge of the Canyon. Technically he was a perfectionist, and since he completed his work on site, finishing this... Read full biography
A "plein aire" painter, he took huge canvases into the open, and built shelters around them to complete his landscapes on site. He set up his studio in Lowell, Massachusetts, but traveled widely along the New England coast and the American West. In 1886, he did his most monumental work, a 7 x 12 foot canvas of the Grand Canyon, which he accomplished by constructing a huge frame on the edge of the Canyon. Technically he was a perfectionist, and since he completed his work on site, finishing this canvas was an amazing feat and the subject of much praise and curiosity. He was born at the foot of Mount Monadnock in the town of Chesham, New Hampshire and developed a life-long love for New England's landscape and people from growing up on his... Read full biography
A "plein aire" painter, he took huge canvases into the open, and built shelters around them to complete his landscapes on site. He set up his studio in Lowell, Massachusetts, but traveled widely along the New England coast and the American West. In 1886, he did his most monumental work, a 7 x 12 foot canvas of the Grand Canyon, which he accomplished by constructing a huge frame on the edge of the Canyon. Technically he was a perfectionist, and since he completed his work on site, finishing this canvas was an amazing feat and the subject of much praise and curiosity. He was born at the foot of Mount Monadnock in the town of Chesham, New Hampshire and developed a life-long love for New England's landscape and people from growing up on his family's homestead. He studied art in Europe for seven years including Munich and Paris where he studied the principles of landscape art o... Read full biography
William Preston Phelps - Artist Info
About William Preston Phelps: Books
Books & Publications (15)
Publications based on askART research. List may not be comprehensive.
Recent Acquisitions: Fall 2008 (Exhibition catalog)
2008
Editors, Vose Galleries of Boston
39 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
Vose Art Notes: A Guide for Collectors Art and Collecting in America, Part Two
1997
Vose Galleries
35 pages (color)
The Red Book Western American Price Index
1993
Southwest Art
126 pages
Art Across America: New England, New York, Mid-Atlantic (Volume One)
1990
Gerdts, William H
421 pages (color)
Rediscovering Some New England Artists, 1875-1900
1987
Kristiansen, Rolf and John J. Leahy
316 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
300 Years of American Art (two volumes)
1986
Zellman, Michael David
1,102 pages (color)
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
A Circle of Friends Art Colonies of Cornish and Dublin (Exhibition catalog)
1985
New Hampshire, U of
138 pages (color)
Smithsonian Archives of American Art: Checklist of the Collection
1975
Editor, Smithsonian
0 pages
Exhibition Record 1861-1900, National Academy of Design (Two Volumes Set) (Exhibition catalog)
1973
Naylor, Maria
1,075 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index