Winfield Scott Clime, influenced by Impressionism, was a painter of anecdotal rural landscapes of country dwellings and rural activities. His "Winter Harvest", for example, depicts workers cutting... Read full biography
Winfield Scott Clime, influenced by Impressionism, was a painter of anecdotal rural landscapes of country dwellings and rural activities. His "Winter Harvest", for example, depicts workers cutting ice blocks on a frozen pond to be stored in straw for use during the summer, as does "The Stone Mill... Read full biography
Winfield Scott Clime, influenced by Impressionism, was a painter of anecdotal rural landscapes of country dwellings and rural activities. His "Winter Harvest", for example, depicts workers cutting ice blocks on a frozen pond to be stored in straw for use during the summer, as does "The Stone Mill Ice House". The former painting was exhibited in 2001 in the exhibition, "Painter's Paradise: A Land Distinctly Lyme", at the Florence Griswold Museum, in Old Lyme, Connecticut. Clime was a co-founder... Read full biography
Winfield Scott Clime, influenced by Impressionism, was a painter of anecdotal rural landscapes of country dwellings and rural activities. His "Winter Harvest", for example, depicts workers cutting ice blocks on a frozen pond to be stored in straw for use during the summer, as does "The Stone Mill Ice House". The former painting was exhibited in 2001 in the exhibition, "Painter's Paradise: A Land Distinctly Lyme", at the Florence Griswold Museum, in Old Lyme, Connecticut. Clime was a co-founder of the Washington (D.C.) Society of Landscape Painters in 1913, one of the oldest artists' organizations in the Mid-Atlantic region. He and Charles Seaton met by chance while painting outdoors. By 1916, calling themselves the Ramblers, their numbers... Read full biography
Winfield Scott Clime, influenced by Impressionism, was a painter of anecdotal rural landscapes of country dwellings and rural activities. His "Winter Harvest", for example, depicts workers cutting ice blocks on a frozen pond to be stored in straw for use during the summer, as does "The Stone Mill Ice House". The former painting was exhibited in 2001 in the exhibition, "Painter's Paradise: A Land Distinctly Lyme", at the Florence Griswold Museum, in Old Lyme, Connecticut. Clime was a co-founder of the Washington (D.C.) Society of Landscape Painters in 1913, one of the oldest artists' organizations in the Mid-Atlantic region. He and Charles Seaton met by chance while painting outdoors. By 1916, calling themselves the Ramblers, their numbers had grown. In 1919, the organization was formally named the Landscape Club of Washington. Clime also painted in Cragsmoor, New York, in... Read full biography
Winfield Scott Clime - Artist Info
About Winfield Scott Clime: Books
Books & Publications (21)
Publications based on askART research. List may not be comprehensive.
The Hartford Salmagundians: A Connecticut Art Society's Painting Exhibition Records 1929-1953
2013
Katlan, Alexander
98 pages (color)
Salmagundi Club Painting Exhibition Records 1940-1951 and Water Color Exhibition Records 1900-1951
2009
Katlan, Alexander W.
623 pages
Reflections-Paintings of Florida 1865-1965
2009
Libby, Gary R.
184 pages (color)
The Artists Bluebook 34,000 North American Artists to March 2005
2005
AskART.com Inc. - Dunbier, Lonnie Pierson (Editor)
479 pages
Davenport's Art Reference: The Gold Edition
2005
Davenport, Ray
2,421 pages
The Early Years Paintings from Private Connecticut Collections (Exhibition catalog)
2002
Old Lyme Art Association
20 pages (color)
Early Art and Artists in West Virginia
2000
Cuthbert, John A.
301 pages (color)
Who Was Who in American Art, 1564-1975: Three Volumes
1999
Falk, Peter Hastings (Editor)
3,724 pages
The Artists of Washington DC 1796-1996
1996
McMahan, Virgil E
240 pages
Annual Exhibition Record, National Academy of Design: 1901-1950 (Exhibition catalog)
1990
Falk, Peter Hastings
622 pages
Annual Exhibition Record, 1876-1913, Pennsylvania Academy of the Fine Arts Volume II (Exhibition catalog)
1989
Falk, Peter Hastings
612 pages
Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers
1986
Opitz, Glenn B (editor)
1,081 pages
Who Was Who in American Art: Artists Active Between 1898-1947
1985
Falk, Peter Hastings (Editor)
707 pages
The Capital Image Painters in Washington 1800-1915 (Exhibition catalog)
1983
Cosentino, Andrew; Henry H. Glassie
280 pages (color)
Dictionary of American Artists
1982
Opitz, Glenn
372 pages
The American Perspective (Exhibition catalog)
1979
Maurice Sternberg, Galleries
48 pages (color)
The American Painting Collection of the Montclair Art Museum
1977
Gamble, Kathryn (Foreward); Thomas Hoving, William Gerdts, Lloyd Goodrich
268 pages (color)
The Art Colony at Old Lyme 1900-3 (Exhibition catalog)
1966
Connecticut College for Women
67 pages
Who's Who in American Art, 1953
1953
Gilbert, Dorothy B.
557 pages
Who's Who in American Art, 1947
1947
Gilbert, Dorothy, (Editor)
685 pages
Mallet's Index of Artists: International-Biographical Two Volumes: Includes 1940 Index