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Keywords page for Alessandro Turchi ((1578 - 1649)), known for Mannerist and Bolognese school influences. Showing associated keywords and tags.
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1578 Verona - 1649 Rome. Known for: Mannerist and Bolognese school influences.
Alessandro Turchi was born in Verona in 1578 and later settled in Rome in 1614. His early works reflected Veronese and Lombard Mannerist traditions, while his mature style showed the influence of the... Read full biography
Alessandro Turchi was born in Verona in 1578 and later settled in Rome in 1614. His early works reflected Veronese and Lombard Mannerist traditions, while his mature style showed the influence of the Bolognese school. Turchi was elected as "Principe" of Rome’s Accademia di San Luca in 1637 and... Read full biography
Alessandro Turchi was born in Verona in 1578 and later settled in Rome in 1614. His early works reflected Veronese and Lombard Mannerist traditions, while his mature style showed the influence of the Bolognese school. Turchi was elected as "Principe" of Rome’s Accademia di San Luca in 1637 and became a member of the Congregazione dei Virtuosi del Pantheon in 1638, highlighting his prominent position in Roman artistic circles. He had notable clients such as Cardinal Mazarin, Cardinal Richelieu,... Read full biography
Alessandro Turchi was born in Verona in 1578 and later settled in Rome in 1614. His early works reflected Veronese and Lombard Mannerist traditions, while his mature style showed the influence of the Bolognese school. Turchi was elected as "Principe" of Rome’s Accademia di San Luca in 1637 and became a member of the Congregazione dei Virtuosi del Pantheon in 1638, highlighting his prominent position in Roman artistic circles. He had notable clients such as Cardinal Mazarin, Cardinal Richelieu, and the Duke of Bavaria, Maximilian I.
Alessandro Turchi was born in Verona in 1578 and later settled in Rome in 1614. His early works reflected Veronese and Lombard Mannerist traditions, while his mature style showed the influence of the Bolognese school. Turchi was elected as "Principe" of Rome’s Accademia di San Luca in 1637 and became a member of the Congregazione dei Virtuosi del Pantheon in 1638, highlighting his prominent position in Roman artistic circles. He had notable clients such as Cardinal Mazarin, Cardinal Richelieu, and the Duke of Bavaria, Maximilian I.