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Keywords page for Alessio de Marchis ((1684 - 1752)), known for Drawing, landscape painting. Showing associated keywords and tags.
Alessio de Marchis KEYWORDS
1684 Naples, Italy - 1752 Perugia, Italy. Known for: Drawing, landscape painting.
The artist's name is Alessio De Marchis. He was present in Rome around 1702 at the workshop of Rosa da Tivoli, another important protagonist of Lazio landscape. Later he moved to Urbino to fresco the... Read full biography
The artist's name is Alessio De Marchis. He was present in Rome around 1702 at the workshop of Rosa da Tivoli, another important protagonist of Lazio landscape. Later he moved to Urbino to fresco the palace of Cardinal Annibale Albani, probably around 1730. The canvas illustrated here is therefore... Read full biography
The artist's name is Alessio De Marchis. He was present in Rome around 1702 at the workshop of Rosa da Tivoli, another important protagonist of Lazio landscape. Later he moved to Urbino to fresco the palace of Cardinal Annibale Albani, probably around 1730. The canvas illustrated here is therefore datable to his early maturity, when the influences of Roman landscape painting, expressed through quick and scrub brush strokes. The biographical information is provided by Nicola Pio and the abbot... Read full biography
The artist's name is Alessio De Marchis. He was present in Rome around 1702 at the workshop of Rosa da Tivoli, another important protagonist of Lazio landscape. Later he moved to Urbino to fresco the palace of Cardinal Annibale Albani, probably around 1730. The canvas illustrated here is therefore datable to his early maturity, when the influences of Roman landscape painting, expressed through quick and scrub brush strokes. The biographical information is provided by Nicola Pio and the abbot Lanzi.
The artist's name is Alessio De Marchis. He was present in Rome around 1702 at the workshop of Rosa da Tivoli, another important protagonist of Lazio landscape. Later he moved to Urbino to fresco the palace of Cardinal Annibale Albani, probably around 1730. The canvas illustrated here is therefore datable to his early maturity, when the influences of Roman landscape painting, expressed through quick and scrub brush strokes. The biographical information is provided by Nicola Pio and the abbot Lanzi.
