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Keywords page for Alexandre Sacha Garbell ((1903 - 1970)), known for Cubist and representational elements in his artwork. Showing associated keywords and tags.
Alexandre Sacha Garbell KEYWORDS
1903 Riga, Latvia - 1970. Known for: Cubist and representational elements in his artwork.
Alexandre Sacha Garbell was born in 1903 in Riga, Latvia. He began painting at the age of 13 and studied art in Moscow before moving to Paris in 1923 to train at the Académie Ranson with Roger... Read full biography
Alexandre Sacha Garbell was born in 1903 in Riga, Latvia. He began painting at the age of 13 and studied art in Moscow before moving to Paris in 1923 to train at the Académie Ranson with Roger Bissière. Garbell's style combined both Cubist and representational elements, and while he was initially... Read full biography
Alexandre Sacha Garbell was born in 1903 in Riga, Latvia. He began painting at the age of 13 and studied art in Moscow before moving to Paris in 1923 to train at the Académie Ranson with Roger Bissière. Garbell's style combined both Cubist and representational elements, and while he was initially drawn to abstraction, he became more interested in representational scenes as his career progressed. He was affiliated with the School of Paris but developed an individual style... Read full biography
Alexandre Sacha Garbell was born in 1903 in Riga, Latvia. He began painting at the age of 13 and studied art in Moscow before moving to Paris in 1923 to train at the Académie Ranson with Roger Bissière. Garbell's style combined both Cubist and representational elements, and while he was initially drawn to abstraction, he became more interested in representational scenes as his career progressed. He was affiliated with the School of Paris but developed an individual style
Alexandre Sacha Garbell was born in 1903 in Riga, Latvia. He began painting at the age of 13 and studied art in Moscow before moving to Paris in 1923 to train at the Académie Ranson with Roger Bissière. Garbell's style combined both Cubist and representational elements, and while he was initially drawn to abstraction, he became more interested in representational scenes as his career progressed. He was affiliated with the School of Paris but developed an individual style