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Alexis Auguste Delahogue KEYWORDS
1867 - 1953. Known for: Post-Impressionist touch, luminous palette.
Alexis Delahogue, a painter-traveler, traveled the Maghreb with his twin brother Eugène. They produced urban life, desert, and Bedouin village testimonies with a post-Impressionist touch and a... Read full biography
Alexis Delahogue, a painter-traveler, traveled the Maghreb with his twin brother Eugène. They produced urban life, desert, and Bedouin village testimonies with a post-Impressionist touch and a luminous palette. The work mentioned was painted in April 1910 and is part of Alexis Delahogue's... Read full biography
Alexis Delahogue, a painter-traveler, traveled the Maghreb with his twin brother Eugène. They produced urban life, desert, and Bedouin village testimonies with a post-Impressionist touch and a luminous palette. The work mentioned was painted in April 1910 and is part of Alexis Delahogue's highly-regarded output, renowned for depicting the "exciting fantasia" of the Orient as dreamed of at the time. The information is sourced from René Le Cholleux's article in La Revue Septentrionale on April 5,... Read full biography
Alexis Delahogue, a painter-traveler, traveled the Maghreb with his twin brother Eugène. They produced urban life, desert, and Bedouin village testimonies with a post-Impressionist touch and a luminous palette. The work mentioned was painted in April 1910 and is part of Alexis Delahogue's highly-regarded output, renowned for depicting the "exciting fantasia" of the Orient as dreamed of at the time. The information is sourced from René Le Cholleux's article in La Revue Septentrionale on April 5, 1908.René Le Cholleux; La Revue Septentrionale; April 5, 1908; n°4; p. 199; BnF; Gallica.
Alexis Delahogue, a painter-traveler, traveled the Maghreb with his twin brother Eugène. They produced urban life, desert, and Bedouin village testimonies with a post-Impressionist touch and a luminous palette. The work mentioned was painted in April 1910 and is part of Alexis Delahogue's highly-regarded output, renowned for depicting the "exciting fantasia" of the Orient as dreamed of at the time. The information is sourced from René Le Cholleux's article in La Revue Septentrionale on April 5, 1908.René Le Cholleux; La Revue Septentrionale; April 5, 1908; n°4; p. 199; BnF; Gallica.
