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1930 Santa Cruz de la Zarza, Spain - 2011 Madrid, Spain. Known for: Painting.
As usual in Amalia Avia's work, the piece follows an aesthetic of classical and traditional heritage with a frontal view of a building in Calle Alfonso XII in Madrid. In it, the majestic building is... Read full biography
As usual in Amalia Avia's work, the piece follows an aesthetic of classical and traditional heritage with a frontal view of a building in Calle Alfonso XII in Madrid. In it, the majestic building is not seen in its entirety, showing only a section that would correspond to the artist's own gaze in... Read full biography
As usual in Amalia Avia's work, the piece follows an aesthetic of classical and traditional heritage with a frontal view of a building in Calle Alfonso XII in Madrid. In it, the majestic building is not seen in its entirety, showing only a section that would correspond to the artist's own gaze in front of the doorway. The vaporous transparency of the windows does not reveal the presence of any inhabitant, nor are passers-by seen in the street, so that Avia gives the protagonism of the scene to... Read full biography
As usual in Amalia Avia's work, the piece follows an aesthetic of classical and traditional heritage with a frontal view of a building in Calle Alfonso XII in Madrid. In it, the majestic building is not seen in its entirety, showing only a section that would correspond to the artist's own gaze in front of the doorway. The vaporous transparency of the windows does not reveal the presence of any inhabitant, nor are passers-by seen in the street, so that Avia gives the protagonism of the scene to the urban fabric, conceived from a poetic and lyrical solitude. Amalia Avia began her artistic career in the 1950s, in the Madrid studio of Eduardo Peña. At the San Fernando Royal Academy of Fine Arts she met many of her future generation, including... Read full biography
As usual in Amalia Avia's work, the piece follows an aesthetic of classical and traditional heritage with a frontal view of a building in Calle Alfonso XII in Madrid. In it, the majestic building is not seen in its entirety, showing only a section that would correspond to the artist's own gaze in front of the doorway. The vaporous transparency of the windows does not reveal the presence of any inhabitant, nor are passers-by seen in the street, so that Avia gives the protagonism of the scene to the urban fabric, conceived from a poetic and lyrical solitude. Amalia Avia began her artistic career in the 1950s, in the Madrid studio of Eduardo Peña. At the San Fernando Royal Academy of Fine Arts she met many of her future generation, including Antonio López García, Julio and Francisco López Hernández, Isabel Quintanilla and Lucio Muñoz, whom she married in... Read full biography