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1675 Bologna, Italy, - 1749 Bologna, Italy. Known for: Frescoes, nudes, art copies, altarpieces, drawings.
Trained in Bologna by a succession of minor painters, Aureliano Milani received his true artistic education from his close study of the Carracci. Gianpietro Zanotti, in his biography of the artist,... Read full biography
Trained in Bologna by a succession of minor painters, Aureliano Milani received his true artistic education from his close study of the Carracci. Gianpietro Zanotti, in his biography of the artist, noted that the young Milani made drawn copies after the works of the Carracci (‘a disegnare le opere... Read full biography
Trained in Bologna by a succession of minor painters, Aureliano Milani received his true artistic education from his close study of the Carracci. Gianpietro Zanotti, in his biography of the artist, noted that the young Milani made drawn copies after the works of the Carracci (‘a disegnare le opere de’ suddetti Carracci’), and in particular the frescoes of the Palazzo Fava in Bologna. Milani’s first datable work is an Annunciation in the convent church of Santa Maria dei Servi in Bologna,... Read full biography
Trained in Bologna by a succession of minor painters, Aureliano Milani received his true artistic education from his close study of the Carracci. Gianpietro Zanotti, in his biography of the artist, noted that the young Milani made drawn copies after the works of the Carracci (‘a disegnare le opere de’ suddetti Carracci’), and in particular the frescoes of the Palazzo Fava in Bologna. Milani’s first datable work is an Annunciation in the convent church of Santa Maria dei Servi in Bologna, painted in 1705. Relatively few paintings survive from Milani’s early years as an independent artist in Bologna, however, of which the most important is an altarpiece of Saint Jerome and the Blessed Ghisilieri in the church of Santa Maria della Vita,... Read full biography
Trained in Bologna by a succession of minor painters, Aureliano Milani received his true artistic education from his close study of the Carracci. Gianpietro Zanotti, in his biography of the artist, noted that the young Milani made drawn copies after the works of the Carracci (‘a disegnare le opere de’ suddetti Carracci’), and in particular the frescoes of the Palazzo Fava in Bologna. Milani’s first datable work is an Annunciation in the convent church of Santa Maria dei Servi in Bologna, painted in 1705. Relatively few paintings survive from Milani’s early years as an independent artist in Bologna, however, of which the most important is an altarpiece of Saint Jerome and the Blessed Ghisilieri in the church of Santa Maria della Vita, painted around 1718. The following year Milani settled in Rome, where he was to work for the remainder of his c... Read full biography