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Keywords page for Barry Reigate ((Born 1971)), known for Painting. Showing associated keywords and tags.
Barry Reigate KEYWORDS
Born 1971. Known for: Painting.
Artist Barry Reigate was born in 1971. The innocuous becomes the iniquitous in Barry Reigate’s large-scale painting Gonzo’s Parade (2005). Against a fairytale blue sky with pink-blushed clouds, a... Read full biography
Artist Barry Reigate was born in 1971. The innocuous becomes the iniquitous in Barry Reigate’s large-scale painting Gonzo’s Parade (2005). Against a fairytale blue sky with pink-blushed clouds, a monstrous concoction of bulbous body parts forms into a hyper-sexualised, floating organ. Gargantuan... Read full biography
Artist Barry Reigate was born in 1971. The innocuous becomes the iniquitous in Barry Reigate’s large-scale painting Gonzo’s Parade (2005). Against a fairytale blue sky with pink-blushed clouds, a monstrous concoction of bulbous body parts forms into a hyper-sexualised, floating organ. Gargantuan breasts sprout rosy nipples, which in turn transmute into protruding phalluses. Lecherous hands creep out from the crevices, probing, pinching and stroking everything they come into contact with.... Read full biography
Artist Barry Reigate was born in 1971. The innocuous becomes the iniquitous in Barry Reigate’s large-scale painting Gonzo’s Parade (2005). Against a fairytale blue sky with pink-blushed clouds, a monstrous concoction of bulbous body parts forms into a hyper-sexualised, floating organ. Gargantuan breasts sprout rosy nipples, which in turn transmute into protruding phalluses. Lecherous hands creep out from the crevices, probing, pinching and stroking everything they come into contact with. Amongst them are the white gloved hands synonymous with Mickey Mouse, and a couple of dangling candy canes – the quintessence of childhood delight – which have morphed into sinister groping hooks. The innocent is irrevocably tarnished as the viewer is... Read full biography
Artist Barry Reigate was born in 1971. The innocuous becomes the iniquitous in Barry Reigate’s large-scale painting Gonzo’s Parade (2005). Against a fairytale blue sky with pink-blushed clouds, a monstrous concoction of bulbous body parts forms into a hyper-sexualised, floating organ. Gargantuan breasts sprout rosy nipples, which in turn transmute into protruding phalluses. Lecherous hands creep out from the crevices, probing, pinching and stroking everything they come into contact with. Amongst them are the white gloved hands synonymous with Mickey Mouse, and a couple of dangling candy canes – the quintessence of childhood delight – which have morphed into sinister groping hooks. The innocent is irrevocably tarnished as the viewer is plunged into Reigate’s twisted and sordid cartoon world. The artist first learnt to draw cartoons as... Read full biography