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1901 Tainan, Taiwan - 1974. Known for: Painting.
Kuo, Po-Chuan was born in 1901 in Tainan, Taiwan. Graduated from Tokyo Academy of Fine Arts, he was taught and deeply influenced by Saburousuke Okada and Ryusaburo Umehara, and was selected to Titen... Read full biography
Kuo, Po-Chuan was born in 1901 in Tainan, Taiwan. Graduated from Tokyo Academy of Fine Arts, he was taught and deeply influenced by Saburousuke Okada and Ryusaburo Umehara, and was selected to Titen exhibitions numerous times. He combined Chinese traditional paintings and Western painting... Read full biography
Kuo, Po-Chuan was born in 1901 in Tainan, Taiwan. Graduated from Tokyo Academy of Fine Arts, he was taught and deeply influenced by Saburousuke Okada and Ryusaburo Umehara, and was selected to Titen exhibitions numerous times. He combined Chinese traditional paintings and Western painting techniques by using Chinese writing brush soaking oil pigments and drawing on the Chinese rice paper, successfully building up a bridge between East and West. His style is clear, accurate, and colors are... Read full biography
Kuo, Po-Chuan was born in 1901 in Tainan, Taiwan. Graduated from Tokyo Academy of Fine Arts, he was taught and deeply influenced by Saburousuke Okada and Ryusaburo Umehara, and was selected to Titen exhibitions numerous times. He combined Chinese traditional paintings and Western painting techniques by using Chinese writing brush soaking oil pigments and drawing on the Chinese rice paper, successfully building up a bridge between East and West. His style is clear, accurate, and colors are bright. The core spirits of his creation are the movements of lines and colors, and pursuing harmony, which is one of the crucial elements in Chinese spirit.
Kuo, Po-Chuan was born in 1901 in Tainan, Taiwan. Graduated from Tokyo Academy of Fine Arts, he was taught and deeply influenced by Saburousuke Okada and Ryusaburo Umehara, and was selected to Titen exhibitions numerous times. He combined Chinese traditional paintings and Western painting techniques by using Chinese writing brush soaking oil pigments and drawing on the Chinese rice paper, successfully building up a bridge between East and West. His style is clear, accurate, and colors are bright. The core spirits of his creation are the movements of lines and colors, and pursuing harmony, which is one of the crucial elements in Chinese spirit.