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1906 - 1986. Known for: Sculpture.
Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic... Read full biography
Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic phase. Innocenti was a favorite pupil of Libero Andreotti, and in 1933 his successor to the Chair of... Read full biography
Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic phase. Innocenti was a favorite pupil of Libero Andreotti, and in 1933 his successor to the Chair of Sculpture at the State Art Institute of Porta Romana (Florence). Innocenti had made his big debut in the genre of the statuary of the female figure with Margherita, 1926, a standing figure still unripe... Read full biography
Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic phase. Innocenti was a favorite pupil of Libero Andreotti, and in 1933 his successor to the Chair of Sculpture at the State Art Institute of Porta Romana (Florence). Innocenti had made his big debut in the genre of the statuary of the female figure with Margherita, 1926, a standing figure still unripe and mindful of the examples of the Master, and then with Lilia, 1929, Lilia nude, 1930, Giuditta, 1936, Madanda, 1935, and the great ebony Erinni, 1935.
Bruno Innocenti was born in 1906 and died in 1986 in Italy. The Stradivaria I, a nude that Bruno Innocenti created in 1943 cast in a few specimens, represents the culmination of his first plastic phase. Innocenti was a favorite pupil of Libero Andreotti, and in 1933 his successor to the Chair of Sculpture at the State Art Institute of Porta Romana (Florence). Innocenti had made his big debut in the genre of the statuary of the female figure with Margherita, 1926, a standing figure still unripe and mindful of the examples of the Master, and then with Lilia, 1929, Lilia nude, 1930, Giuditta, 1936, Madanda, 1935, and the great ebony Erinni, 1935.