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Keywords page for Carlo Manieri ((1662 - 1700)), known for Painting, still life. Showing associated keywords and tags.
Carlo Manieri KEYWORDS
1662 - 1700. Known for: Painting, still life.
Carlo Manieri was born in 1662 and became a still-life painter in late seventeenth century Rome. The artist’s identity has only recently been recovered thanks to research which was first presented by... Read full biography
Carlo Manieri was born in 1662 and became a still-life painter in late seventeenth century Rome. The artist’s identity has only recently been recovered thanks to research which was first presented by Alberto Cottino at a conference held in 2005 at the Seconda Università di Napoli. This revealed... Read full biography
Carlo Manieri was born in 1662 and became a still-life painter in late seventeenth century Rome. The artist’s identity has only recently been recovered thanks to research which was first presented by Alberto Cottino at a conference held in 2005 at the Seconda Università di Napoli. This revealed documentary evidence identifying the so-called ‘Maestro della Floridiana’, the anonymous author, formerly thought to have been of Neapolitan origin, of a group of canvases representing fruit. The... Read full biography
Carlo Manieri was born in 1662 and became a still-life painter in late seventeenth century Rome. The artist’s identity has only recently been recovered thanks to research which was first presented by Alberto Cottino at a conference held in 2005 at the Seconda Università di Napoli. This revealed documentary evidence identifying the so-called ‘Maestro della Floridiana’, the anonymous author, formerly thought to have been of Neapolitan origin, of a group of canvases representing fruit. The principal corpus of Manieri's works is conserved in the Museo Duca di Martina, Naples, while others are in the Museo Civico di Prato and various private collections.G. and U. Bocchi, Pittori di natura morta a Roma, Viadana 2005, pp. 525
Carlo Manieri was born in 1662 and became a still-life painter in late seventeenth century Rome. The artist’s identity has only recently been recovered thanks to research which was first presented by Alberto Cottino at a conference held in 2005 at the Seconda Università di Napoli. This revealed documentary evidence identifying the so-called ‘Maestro della Floridiana’, the anonymous author, formerly thought to have been of Neapolitan origin, of a group of canvases representing fruit. The principal corpus of Manieri's works is conserved in the Museo Duca di Martina, Naples, while others are in the Museo Civico di Prato and various private collections.G. and U. Bocchi, Pittori di natura morta a Roma, Viadana 2005, pp. 525