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Born 1931 Buenos Aires, Argentina. Known for: Abstract geometric acrylic painting, mixed media.
Cesar Paternosto, born in 1931 in the city of La Plata, Argentina, is an Argentinian artist known for Abstrarct Expressionism. Over the past five decades, he has developed a highly personal synthesis... Read full biography
Cesar Paternosto, born in 1931 in the city of La Plata, Argentina, is an Argentinian artist known for Abstrarct Expressionism. Over the past five decades, he has developed a highly personal synthesis of European abstract and constructivist traditions with pre-Hispanic Amerindian influence of forms.... Read full biography
Cesar Paternosto, born in 1931 in the city of La Plata, Argentina, is an Argentinian artist known for Abstrarct Expressionism. Over the past five decades, he has developed a highly personal synthesis of European abstract and constructivist traditions with pre-Hispanic Amerindian influence of forms. The latest stage of that development can be appreciated at “Painting as Object.”. Paternosto became well- known in the 1960s with a series of paintings in which he left the front of the canvas empty... Read full biography
Cesar Paternosto, born in 1931 in the city of La Plata, Argentina, is an Argentinian artist known for Abstrarct Expressionism. Over the past five decades, he has developed a highly personal synthesis of European abstract and constructivist traditions with pre-Hispanic Amerindian influence of forms. The latest stage of that development can be appreciated at “Painting as Object.”. Paternosto became well- known in the 1960s with a series of paintings in which he left the front of the canvas empty and placed color on its side edges. “With this gesture, Paternosto restates the meaning of the pictorial work; in a sense, he stops painting,” wrote Argentine critic Ricardo Martín-Crosa. By emphasizing the three-dimensional character of the... Read full biography
Cesar Paternosto, born in 1931 in the city of La Plata, Argentina, is an Argentinian artist known for Abstrarct Expressionism. Over the past five decades, he has developed a highly personal synthesis of European abstract and constructivist traditions with pre-Hispanic Amerindian influence of forms. The latest stage of that development can be appreciated at “Painting as Object.”. Paternosto became well- known in the 1960s with a series of paintings in which he left the front of the canvas empty and placed color on its side edges. “With this gesture, Paternosto restates the meaning of the pictorial work; in a sense, he stops painting,” wrote Argentine critic Ricardo Martín-Crosa. By emphasizing the three-dimensional character of the painting, Paternosto forces the viewer to inspect it as if it were a sculpture, in a mode once defined by the artist as “oblique vision.” . This “c... Read full biography
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Exhibition of Museum
- •Museum of Modern Art, New York