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1879 - 1950. Known for: Painting.
Alsatian by birth, Charles Auguste Edelmann studied in Paris at Maillart's then in the workshops of Gérôme and Humbert. His preferences then oriented him at first towards painting realistic genre... Read full biography
Alsatian by birth, Charles Auguste Edelmann studied in Paris at Maillart's then in the workshops of Gérôme and Humbert. His preferences then oriented him at first towards painting realistic genre inspired by the world. Radically changing his style, he later turned to two new subjects of... Read full biography
Alsatian by birth, Charles Auguste Edelmann studied in Paris at Maillart's then in the workshops of Gérôme and Humbert. His preferences then oriented him at first towards painting realistic genre inspired by the world. Radically changing his style, he later turned to two new subjects of predilection: the woman - and in particular the Parisian - and the intimate dead nature, which he tackles in a conception of classicism. Corresponding to this evolution of subject also corresponds a change of... Read full biography
Alsatian by birth, Charles Auguste Edelmann studied in Paris at Maillart's then in the workshops of Gérôme and Humbert. His preferences then oriented him at first towards painting realistic genre inspired by the world. Radically changing his style, he later turned to two new subjects of predilection: the woman - and in particular the Parisian - and the intimate dead nature, which he tackles in a conception of classicism. Corresponding to this evolution of subject also corresponds a change of way. A tendency to simplification in treatment, to a form of abstraction in which light takes on a now preponderant place and where anecdotal detail no longer has its place. At restraint, the sobriety of his compositions responds a luminous painting... Read full biography
Alsatian by birth, Charles Auguste Edelmann studied in Paris at Maillart's then in the workshops of Gérôme and Humbert. His preferences then oriented him at first towards painting realistic genre inspired by the world. Radically changing his style, he later turned to two new subjects of predilection: the woman - and in particular the Parisian - and the intimate dead nature, which he tackles in a conception of classicism. Corresponding to this evolution of subject also corresponds a change of way. A tendency to simplification in treatment, to a form of abstraction in which light takes on a now preponderant place and where anecdotal detail no longer has its place. At restraint, the sobriety of his compositions responds a luminous painting and a subtle and worked material, whose blonde palette sometimes recalls that of Giorgio Morandi.