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1834 - 1917 Dusseldorf. Known for: Landscape, genre.
The genre paintings of the 19th century generally presented an idealized depiction of bourgeois everyday and family life, in which darker themes such as robbers, smugglers and poachers rarely... Read full biography
The genre paintings of the 19th century generally presented an idealized depiction of bourgeois everyday and family life, in which darker themes such as robbers, smugglers and poachers rarely featured. Ernst Bosch was also primarily more at home in this idyllic world, as S. Weiß writes in his... Read full biography
The genre paintings of the 19th century generally presented an idealized depiction of bourgeois everyday and family life, in which darker themes such as robbers, smugglers and poachers rarely featured. Ernst Bosch was also primarily more at home in this idyllic world, as S. Weiß writes in his "Düsseldorfer Malerlexikon": "His work is characteristic of the idealized narrative genre painting of the Düsseldorf school in the 2nd half of the 19th century, taking his motifs from bourgeois and rural... Read full biography
The genre paintings of the 19th century generally presented an idealized depiction of bourgeois everyday and family life, in which darker themes such as robbers, smugglers and poachers rarely featured. Ernst Bosch was also primarily more at home in this idyllic world, as S. Weiß writes in his "Düsseldorfer Malerlexikon": "His work is characteristic of the idealized narrative genre painting of the Düsseldorf school in the 2nd half of the 19th century, taking his motifs from bourgeois and rural life, classical literature or the fairy tales of the Brothers Grimm [. ]". However, an early example of this important Düsseldorf genre painter's oeuvre, is drawn from the shadowy world of criminals and outlaws and this mood is expressed in the murky... Read full biography
The genre paintings of the 19th century generally presented an idealized depiction of bourgeois everyday and family life, in which darker themes such as robbers, smugglers and poachers rarely featured. Ernst Bosch was also primarily more at home in this idyllic world, as S. Weiß writes in his "Düsseldorfer Malerlexikon": "His work is characteristic of the idealized narrative genre painting of the Düsseldorf school in the 2nd half of the 19th century, taking his motifs from bourgeois and rural life, classical literature or the fairy tales of the Brothers Grimm [. ]". However, an early example of this important Düsseldorf genre painter's oeuvre, is drawn from the shadowy world of criminals and outlaws and this mood is expressed in the murky palette of this unusual work.