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1858 Madrid, Spain - 1919. Known for: Figure, genre painting.
Son of the painter Eugenio Lucas Velázquez, also a follower of Francisco de Goya, he inherited from his father the speed and ease in the use of the brush. His brushstroke, short and thick, denounces... Read full biography
Son of the painter Eugenio Lucas Velázquez, also a follower of Francisco de Goya, he inherited from his father the speed and ease in the use of the brush. His brushstroke, short and thick, denounces his deep admiration for the great Spanish masters, such as Velázquez, Carreño, Murillo and, above... Read full biography
Son of the painter Eugenio Lucas Velázquez, also a follower of Francisco de Goya, he inherited from his father the speed and ease in the use of the brush. His brushstroke, short and thick, denounces his deep admiration for the great Spanish masters, such as Velázquez, Carreño, Murillo and, above all, Goya. His painting moves away from academicism and is loose and undone, impastoed and of great chromatic richness, while his subjects speak of the people and their customs. He studied at the... Read full biography
Son of the painter Eugenio Lucas Velázquez, also a follower of Francisco de Goya, he inherited from his father the speed and ease in the use of the brush. His brushstroke, short and thick, denounces his deep admiration for the great Spanish masters, such as Velázquez, Carreño, Murillo and, above all, Goya. His painting moves away from academicism and is loose and undone, impastoed and of great chromatic richness, while his subjects speak of the people and their customs. He studied at the Special School of Painting, Sculpture and Engraving in Madrid, where he stood out for his mastery as a draftsman. He completed his training by assiduously visiting the Prado Museum, where he copied several works by Goya. He also frequented the intellectual... Read full biography
Son of the painter Eugenio Lucas Velázquez, also a follower of Francisco de Goya, he inherited from his father the speed and ease in the use of the brush. His brushstroke, short and thick, denounces his deep admiration for the great Spanish masters, such as Velázquez, Carreño, Murillo and, above all, Goya. His painting moves away from academicism and is loose and undone, impastoed and of great chromatic richness, while his subjects speak of the people and their customs. He studied at the Special School of Painting, Sculpture and Engraving in Madrid, where he stood out for his mastery as a draftsman. He completed his training by assiduously visiting the Prado Museum, where he copied several works by Goya. He also frequented the intellectual circles of Madrid at the end of the 19th century, until he was discovered by the patron José Lázaro Galdiano, who named him his chambe... Read full biography