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1657 Canale di Serino, Italy - 1747 Barra, Napoli, Italy. Known for: Classical religious subject and portrait painting.
Francesco Solimena was an Italian painter who dominated the artistic life of Naples and introduced a more classical style in the wake of Giordano's exuberant Baroque manner. Son of an artist, Angelo... Read full biography
Francesco Solimena was an Italian painter who dominated the artistic life of Naples and introduced a more classical style in the wake of Giordano's exuberant Baroque manner. Son of an artist, Angelo Solimena (1629-1716), he was trained by the academic painter Francesco di Maria (d. 1670). His early... Read full biography
Francesco Solimena was an Italian painter who dominated the artistic life of Naples and introduced a more classical style in the wake of Giordano's exuberant Baroque manner. Son of an artist, Angelo Solimena (1629-1716), he was trained by the academic painter Francesco di Maria (d. 1670). His early career blossomed in his work at S. Paolo Maggiore, Naples, where he decorated the sacristy: Virtues on the vault and two large frescoes of the Conversion of Saul and the Fall of Simon Magus on the... Read full biography
Francesco Solimena was an Italian painter who dominated the artistic life of Naples and introduced a more classical style in the wake of Giordano's exuberant Baroque manner. Son of an artist, Angelo Solimena (1629-1716), he was trained by the academic painter Francesco di Maria (d. 1670). His early career blossomed in his work at S. Paolo Maggiore, Naples, where he decorated the sacristy: Virtues on the vault and two large frescoes of the Conversion of Saul and the Fall of Simon Magus on the walls (1689-80). Although boldly executed and brightly coloured in the manner of Giordano they show a far more academic approach to design and dramatic narrative. His Miracle of S. John of God for the Ospedale di S. Maria della Pace, Naples, reflects... Read full biography
Francesco Solimena was an Italian painter who dominated the artistic life of Naples and introduced a more classical style in the wake of Giordano's exuberant Baroque manner. Son of an artist, Angelo Solimena (1629-1716), he was trained by the academic painter Francesco di Maria (d. 1670). His early career blossomed in his work at S. Paolo Maggiore, Naples, where he decorated the sacristy: Virtues on the vault and two large frescoes of the Conversion of Saul and the Fall of Simon Magus on the walls (1689-80). Although boldly executed and brightly coloured in the manner of Giordano they show a far more academic approach to design and dramatic narrative. His Miracle of S. John of God for the Ospedale di S. Maria della Pace, Naples, reflects Solimena's response to Preti's expressive chiaroscuro. Yet the general direction of Solimena... Read full biography