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1848 Spain - 1901. Known for: Female portrait painting.
Francisco Miralles trained in Barcelona in the studio of Ramón Martí Alsina, where he was a fellow disciple of the first generation of Catalan realists. Settled in Paris between 1863 and 1866, it is... Read full biography
Francisco Miralles trained in Barcelona in the studio of Ramón Martí Alsina, where he was a fellow disciple of the first generation of Catalan realists. Settled in Paris between 1863 and 1866, it is possible that he studied with Courbet on the advice of Alsina, who also trained with him. Due to... Read full biography
Francisco Miralles trained in Barcelona in the studio of Ramón Martí Alsina, where he was a fellow disciple of the first generation of Catalan realists. Settled in Paris between 1863 and 1866, it is possible that he studied with Courbet on the advice of Alsina, who also trained with him. Due to these influences, his youthful style, until the end of the seventies, is still vigorously realistic. Later he evolved towards a style of feminine elegance, typically fin-de-siècle, with a... Read full biography
Francisco Miralles trained in Barcelona in the studio of Ramón Martí Alsina, where he was a fellow disciple of the first generation of Catalan realists. Settled in Paris between 1863 and 1866, it is possible that he studied with Courbet on the advice of Alsina, who also trained with him. Due to these influences, his youthful style, until the end of the seventies, is still vigorously realistic. Later he evolved towards a style of feminine elegance, typically fin-de-siècle, with a Fortunyist-influenced technique. In Paris he popularized a refined style, centered mainly on costumbrist themes of bourgeois life and high society, mainly featuring female characters. He participated in the Salon des Artistes Français, in Paris, between 1875 and... Read full biography
Francisco Miralles trained in Barcelona in the studio of Ramón Martí Alsina, where he was a fellow disciple of the first generation of Catalan realists. Settled in Paris between 1863 and 1866, it is possible that he studied with Courbet on the advice of Alsina, who also trained with him. Due to these influences, his youthful style, until the end of the seventies, is still vigorously realistic. Later he evolved towards a style of feminine elegance, typically fin-de-siècle, with a Fortunyist-influenced technique. In Paris he popularized a refined style, centered mainly on costumbrist themes of bourgeois life and high society, mainly featuring female characters. He participated in the Salon des Artistes Français, in Paris, between 1875 and 1896, and exhibited from 1877 in the Sala Parés in Barcelona. After several years between Paris and Barcelona, he returned to Barcelona in 1893.... Read full biography