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1610 - 1659. Known for: Painting.
Giovanni Martinelli was born in 1610. He was from Montevarchi but lived from 1623 to 1625 with his master Jacopo Ligozzi in Florence. Subsequently, Martinelli probably went to Rome as his interest in... Read full biography
Giovanni Martinelli was born in 1610. He was from Montevarchi but lived from 1623 to 1625 with his master Jacopo Ligozzi in Florence. Subsequently, Martinelli probably went to Rome as his interest in naturalism and dramatic lighting effects would suggest, and this interest is evident in his first... Read full biography
Giovanni Martinelli was born in 1610. He was from Montevarchi but lived from 1623 to 1625 with his master Jacopo Ligozzi in Florence. Subsequently, Martinelli probably went to Rome as his interest in naturalism and dramatic lighting effects would suggest, and this interest is evident in his first dated work, the Miracle of the Mule in the church of San Francesco in Pescia (1632). A succession of paintings dating to the 1630s and 1640s reveal the painter’s connections with the faction of the... Read full biography
Giovanni Martinelli was born in 1610. He was from Montevarchi but lived from 1623 to 1625 with his master Jacopo Ligozzi in Florence. Subsequently, Martinelli probably went to Rome as his interest in naturalism and dramatic lighting effects would suggest, and this interest is evident in his first dated work, the Miracle of the Mule in the church of San Francesco in Pescia (1632). A succession of paintings dating to the 1630s and 1640s reveal the painter’s connections with the faction of the French followers of Caravaggio, and most notably to Valentin de Boulogne and Simon Vouet.
Giovanni Martinelli was born in 1610. He was from Montevarchi but lived from 1623 to 1625 with his master Jacopo Ligozzi in Florence. Subsequently, Martinelli probably went to Rome as his interest in naturalism and dramatic lighting effects would suggest, and this interest is evident in his first dated work, the Miracle of the Mule in the church of San Francesco in Pescia (1632). A succession of paintings dating to the 1630s and 1640s reveal the painter’s connections with the faction of the French followers of Caravaggio, and most notably to Valentin de Boulogne and Simon Vouet.