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1592/1601 - 1668. Known for: Illusory rendering of space and depth in painting and frescoes.
Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art. Benso's expressive research aimed... Read full biography
Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art. Benso's expressive research aimed at the illusory rendering of space and depth, which can be seen in his altarpieces and frescoes. He... Read full biography
Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art. Benso's expressive research aimed at the illusory rendering of space and depth, which can be seen in his altarpieces and frescoes. He was entrusted with the continuity of the project for the presbytery of the Annunziata after the death of Ansaldo, requiring him to use the best materials and personal control of the entire... Read full biography
Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art. Benso's expressive research aimed at the illusory rendering of space and depth, which can be seen in his altarpieces and frescoes. He was entrusted with the continuity of the project for the presbytery of the Annunziata after the death of Ansaldo, requiring him to use the best materials and personal control of the entire construction site.
Giulio Benso was an Italian painter who flourished in the 17th century. He was a pupil of Paggi and demonstrated a particular closeness to Lombard and Barabino art. Benso's expressive research aimed at the illusory rendering of space and depth, which can be seen in his altarpieces and frescoes. He was entrusted with the continuity of the project for the presbytery of the Annunziata after the death of Ansaldo, requiring him to use the best materials and personal control of the entire construction site.