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Known for: Painting.
Goun Nishimura , the son of a Kyoto Dyer, started to study painting under Kishi Chikudo at the age of twelve, entering the atelier of the great Takeuchi Seiho after Chikudo's death. He won a prize at... Read full biography
Goun Nishimura , the son of a Kyoto Dyer, started to study painting under Kishi Chikudo at the age of twelve, entering the atelier of the great Takeuchi Seiho after Chikudo's death. He won a prize at the first Bunten exhibition in 1907 and from 1909 started teaching at the Kyoto Municipal School of... Read full biography
Goun Nishimura , the son of a Kyoto Dyer, started to study painting under Kishi Chikudo at the age of twelve, entering the atelier of the great Takeuchi Seiho after Chikudo's death. He won a prize at the first Bunten exhibition in 1907 and from 1909 started teaching at the Kyoto Municipal School of Arts and Crafts as well as in his own private painting school. From 1914 he began to suffer from a debilitating illness which restricted his output for a decade but by 1924 he had recovered... Read full biography
Goun Nishimura , the son of a Kyoto Dyer, started to study painting under Kishi Chikudo at the age of twelve, entering the atelier of the great Takeuchi Seiho after Chikudo's death. He won a prize at the first Bunten exhibition in 1907 and from 1909 started teaching at the Kyoto Municipal School of Arts and Crafts as well as in his own private painting school. From 1914 he began to suffer from a debilitating illness which restricted his output for a decade but by 1924 he had recovered sufficiently to accept another teaching position in Kyoto.
Goun Nishimura , the son of a Kyoto Dyer, started to study painting under Kishi Chikudo at the age of twelve, entering the atelier of the great Takeuchi Seiho after Chikudo's death. He won a prize at the first Bunten exhibition in 1907 and from 1909 started teaching at the Kyoto Municipal School of Arts and Crafts as well as in his own private painting school. From 1914 he began to suffer from a debilitating illness which restricted his output for a decade but by 1924 he had recovered sufficiently to accept another teaching position in Kyoto.