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Keywords page for Guglielmo Caccia ((1568 - 1625)), known for Counter-reformed art. Showing associated keywords and tags.
Guglielmo Caccia KEYWORDS
1568 - 1625. Known for: Counter-reformed art.
Guglielmo Caccia was an Italian artist from Piedmont who is considered the most important exponent of counter-reformed art in the region. His activity is divided into three periods, with his first... Read full biography
Guglielmo Caccia was an Italian artist from Piedmont who is considered the most important exponent of counter-reformed art in the region. His activity is divided into three periods, with his first works reflecting the influence of Piedmontese painting of the late sixteenth century, especially the... Read full biography
Guglielmo Caccia was an Italian artist from Piedmont who is considered the most important exponent of counter-reformed art in the region. His activity is divided into three periods, with his first works reflecting the influence of Piedmontese painting of the late sixteenth century, especially the work of Gaudenzio Ferrari. He collaborated with Federico Zuccari during the decoration of the Great Gallery designed by Carlo Emanuele I, Duke of Savoy. His numerous graphic production presents an... Read full biography
Guglielmo Caccia was an Italian artist from Piedmont who is considered the most important exponent of counter-reformed art in the region. His activity is divided into three periods, with his first works reflecting the influence of Piedmontese painting of the late sixteenth century, especially the work of Gaudenzio Ferrari. He collaborated with Federico Zuccari during the decoration of the Great Gallery designed by Carlo Emanuele I, Duke of Savoy. His numerous graphic production presents an almost constant use of the pen and assonances with the style of Luca Cambiaso and the Genoese artists
Guglielmo Caccia was an Italian artist from Piedmont who is considered the most important exponent of counter-reformed art in the region. His activity is divided into three periods, with his first works reflecting the influence of Piedmontese painting of the late sixteenth century, especially the work of Gaudenzio Ferrari. He collaborated with Federico Zuccari during the decoration of the Great Gallery designed by Carlo Emanuele I, Duke of Savoy. His numerous graphic production presents an almost constant use of the pen and assonances with the style of Luca Cambiaso and the Genoese artists