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Born 1963. Known for: Painting.
Paneque trained as an artist at the Faculty of Fine Arts in Seville, but did not finish his degree. Director and founder, together with Rafael Agredano and José Espaliú, of the magazine Figura in... Read full biography
Paneque trained as an artist at the Faculty of Fine Arts in Seville, but did not finish his degree. Director and founder, together with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It was in the mid-eighties when his work became known within the Andalusian artistic scene,... Read full biography
Paneque trained as an artist at the Faculty of Fine Arts in Seville, but did not finish his degree. Director and founder, together with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It was in the mid-eighties when his work became known within the Andalusian artistic scene, through the creation of small format paintings full of references and symbols from the religious sphere and the everyday environment which the author mixes with a playful sense and erotic characters that... Read full biography
Paneque trained as an artist at the Faculty of Fine Arts in Seville, but did not finish his degree. Director and founder, together with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It was in the mid-eighties when his work became known within the Andalusian artistic scene, through the creation of small format paintings full of references and symbols from the religious sphere and the everyday environment which the author mixes with a playful sense and erotic characters that show a clear rejection of the Andalusian artistic tradition. His work evolves towards a formal synthesis and iconographic purification along the lines of conceptual art. On the other hand, his subject matter focuses on social events which are treated... Read full biography
Paneque trained as an artist at the Faculty of Fine Arts in Seville, but did not finish his degree. Director and founder, together with Rafael Agredano and José Espaliú, of the magazine Figura in 1984. It was in the mid-eighties when his work became known within the Andalusian artistic scene, through the creation of small format paintings full of references and symbols from the religious sphere and the everyday environment which the author mixes with a playful sense and erotic characters that show a clear rejection of the Andalusian artistic tradition. His work evolves towards a formal synthesis and iconographic purification along the lines of conceptual art. On the other hand, his subject matter focuses on social events which are treated with a language similar to the world of advertising. In his works there is always a non-conformist and provocative... Read full biography