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1863 - 1919. Known for: Painting.
A fine watercolour for Andersen's Zwölf Märchen (Vienna, Verlag M Munk, ca. 1911–12) and later used in a calendar Märchen Kalender (1911). Heinrich Lefler (1863–1919) worked primarily in Vienna as a... Read full biography
A fine watercolour for Andersen's Zwölf Märchen (Vienna, Verlag M Munk, ca. 1911–12) and later used in a calendar Märchen Kalender (1911). Heinrich Lefler (1863–1919) worked primarily in Vienna as a member of the Künstlerhaus and by the late 1890s became one of Austria's first artists to design... Read full biography
A fine watercolour for Andersen's Zwölf Märchen (Vienna, Verlag M Munk, ca. 1911–12) and later used in a calendar Märchen Kalender (1911). Heinrich Lefler (1863–1919) worked primarily in Vienna as a member of the Künstlerhaus and by the late 1890s became one of Austria's first artists to design posters, then an emerging medium.
A fine watercolour for Andersen's Zwölf Märchen (Vienna, Verlag M Munk, ca. 1911–12) and later used in a calendar Märchen Kalender (1911). Heinrich Lefler (1863–1919) worked primarily in Vienna as a member of the Künstlerhaus and by the late 1890s became one of Austria's first artists to design posters, then an emerging medium.
A fine watercolour for Andersen's Zwölf Märchen (Vienna, Verlag M Munk, ca. 1911–12) and later used in a calendar Märchen Kalender (1911). Heinrich Lefler (1863–1919) worked primarily in Vienna as a member of the Künstlerhaus and by the late 1890s became one of Austria's first artists to design posters, then an emerging medium.