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Born 1937 Höxter, Germany. Known for: Figure painting, nudes.
Hermann Albert was born in 1937 and is regarded as one of the most influential representatives of figurative painting in post-war modernism in Germany. He became known as a co-founder of the Neue... Read full biography
Hermann Albert was born in 1937 and is regarded as one of the most influential representatives of figurative painting in post-war modernism in Germany. He became known as a co-founder of the Neue Gruppe Göttingen, whose work in the 1970s marked a deliberate return to figuration. Albert’s painting... Read full biography
Hermann Albert was born in 1937 and is regarded as one of the most influential representatives of figurative painting in post-war modernism in Germany. He became known as a co-founder of the Neue Gruppe Göttingen, whose work in the 1970s marked a deliberate return to figuration. Albert’s painting is defined by a reduced yet expressive formal language in which figure and space stand in quiet, tense relationship to one another. His figures often appear enraptured and absorbed in introspective... Read full biography
Hermann Albert was born in 1937 and is regarded as one of the most influential representatives of figurative painting in post-war modernism in Germany. He became known as a co-founder of the Neue Gruppe Göttingen, whose work in the 1970s marked a deliberate return to figuration. Albert’s painting is defined by a reduced yet expressive formal language in which figure and space stand in quiet, tense relationship to one another. His figures often appear enraptured and absorbed in introspective moments, unfolding a subtle, melancholy presence. Through clear composition and a sensitive use of colour, Albert translates emotional states into a timeless, almost archetypal visual language. His work occupies a distinctive position within... Read full biography
Hermann Albert was born in 1937 and is regarded as one of the most influential representatives of figurative painting in post-war modernism in Germany. He became known as a co-founder of the Neue Gruppe Göttingen, whose work in the 1970s marked a deliberate return to figuration. Albert’s painting is defined by a reduced yet expressive formal language in which figure and space stand in quiet, tense relationship to one another. His figures often appear enraptured and absorbed in introspective moments, unfolding a subtle, melancholy presence. Through clear composition and a sensitive use of colour, Albert translates emotional states into a timeless, almost archetypal visual language. His work occupies a distinctive position within late-20th-century German figuration, balancing restraint with psychological depth.