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1884 - 1961. Known for: Painting.
After spending her early years overseas, Hilda Rix moved back to Australia permanently, settling in rural NSW with her husband and child. Distance from the capital cities, along with gender barriers... Read full biography
After spending her early years overseas, Hilda Rix moved back to Australia permanently, settling in rural NSW with her husband and child. Distance from the capital cities, along with gender barriers in the art world and the challenge of balancing roles of wife, mother and artist, made it difficult... Read full biography
After spending her early years overseas, Hilda Rix moved back to Australia permanently, settling in rural NSW with her husband and child. Distance from the capital cities, along with gender barriers in the art world and the challenge of balancing roles of wife, mother and artist, made it difficult for Hilda to resume a career in Australia. Neither conservative nor modernist in an avant-garde sense, she fell out of favour with the contemporary art scene in the 1930s and 40s. More recently, the... Read full biography
After spending her early years overseas, Hilda Rix moved back to Australia permanently, settling in rural NSW with her husband and child. Distance from the capital cities, along with gender barriers in the art world and the challenge of balancing roles of wife, mother and artist, made it difficult for Hilda to resume a career in Australia. Neither conservative nor modernist in an avant-garde sense, she fell out of favour with the contemporary art scene in the 1930s and 40s. More recently, the brilliance of her work and her remarkable achievements overseas have been rightfully acknowledged.
After spending her early years overseas, Hilda Rix moved back to Australia permanently, settling in rural NSW with her husband and child. Distance from the capital cities, along with gender barriers in the art world and the challenge of balancing roles of wife, mother and artist, made it difficult for Hilda to resume a career in Australia. Neither conservative nor modernist in an avant-garde sense, she fell out of favour with the contemporary art scene in the 1930s and 40s. More recently, the brilliance of her work and her remarkable achievements overseas have been rightfully acknowledged.