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1913 Geria Ageng, Batuan, Indonesia - 1989. Known for: Painting.
Ida Bagus Made Togog (1913-1989) . He was born into a noble Brahmana clan in the center of Batuan. Together with I Ngendon, he was one of the foremost painters from Batuan. Unlike Ngendon, Togog was... Read full biography
Ida Bagus Made Togog (1913-1989) . He was born into a noble Brahmana clan in the center of Batuan. Together with I Ngendon, he was one of the foremost painters from Batuan. Unlike Ngendon, Togog was not particularly interested in Western ideas. He was comfortable with the Balinese way of life and... Read full biography
Ida Bagus Made Togog (1913-1989) . He was born into a noble Brahmana clan in the center of Batuan. Together with I Ngendon, he was one of the foremost painters from Batuan. Unlike Ngendon, Togog was not particularly interested in Western ideas. He was comfortable with the Balinese way of life and adhered closely to the Balinese belief system. As a member of the high priest family, Togog was very familiar with Balinese lontar (religious literature) and Balinese myths and folklore. His works were... Read full biography
Ida Bagus Made Togog (1913-1989) . He was born into a noble Brahmana clan in the center of Batuan. Together with I Ngendon, he was one of the foremost painters from Batuan. Unlike Ngendon, Togog was not particularly interested in Western ideas. He was comfortable with the Balinese way of life and adhered closely to the Balinese belief system. As a member of the high priest family, Togog was very familiar with Balinese lontar (religious literature) and Balinese myths and folklore. His works were primarily drawn from religion and local myths from an insider's view point and he narrates them through his drawings, just like in the Wayang tradition. The strength of his drawings was neither his draftsmanship nor composition, but his narration of... Read full biography
Ida Bagus Made Togog (1913-1989) . He was born into a noble Brahmana clan in the center of Batuan. Together with I Ngendon, he was one of the foremost painters from Batuan. Unlike Ngendon, Togog was not particularly interested in Western ideas. He was comfortable with the Balinese way of life and adhered closely to the Balinese belief system. As a member of the high priest family, Togog was very familiar with Balinese lontar (religious literature) and Balinese myths and folklore. His works were primarily drawn from religion and local myths from an insider's view point and he narrates them through his drawings, just like in the Wayang tradition. The strength of his drawings was neither his draftsmanship nor composition, but his narration of complex religious beliefs and the united life in Bali as a balance between the macrocosm and microco... Read full biography