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1682 Naples or Venice, Italy - 1752 Madrid, Spain. Known for: Baroque and Rococo portrait, religious and mythology scene painting.
A truly international court artist, Jacopo Amigoni’s career straddles four of the most important artistic centres of eighteenth century Europe: starting in his native Venice, on to the Bavarian ducal... Read full biography
A truly international court artist, Jacopo Amigoni’s career straddles four of the most important artistic centres of eighteenth century Europe: starting in his native Venice, on to the Bavarian ducal court in Munich, through to London’s fashionable aristocratic circles, and finally ending at the... Read full biography
A truly international court artist, Jacopo Amigoni’s career straddles four of the most important artistic centres of eighteenth century Europe: starting in his native Venice, on to the Bavarian ducal court in Munich, through to London’s fashionable aristocratic circles, and finally ending at the Bourbon court in Madrid. Combining cool elegance with polite sensuality, his painting Apollo and the Muses encapsulates the sophisticated and decorative appeal of Amigoni’s art, the foundation of his... Read full biography
A truly international court artist, Jacopo Amigoni’s career straddles four of the most important artistic centres of eighteenth century Europe: starting in his native Venice, on to the Bavarian ducal court in Munich, through to London’s fashionable aristocratic circles, and finally ending at the Bourbon court in Madrid. Combining cool elegance with polite sensuality, his painting Apollo and the Muses encapsulates the sophisticated and decorative appeal of Amigoni’s art, the foundation of his great success. On the basis of its German provenance – the picture is first documented in the Goldschmidt collection, which left Berlin in the early 1930s and considering its dimensions, which do not correspond to a standard English size, the picture... Read full biography
A truly international court artist, Jacopo Amigoni’s career straddles four of the most important artistic centres of eighteenth century Europe: starting in his native Venice, on to the Bavarian ducal court in Munich, through to London’s fashionable aristocratic circles, and finally ending at the Bourbon court in Madrid. Combining cool elegance with polite sensuality, his painting Apollo and the Muses encapsulates the sophisticated and decorative appeal of Amigoni’s art, the foundation of his great success. On the basis of its German provenance – the picture is first documented in the Goldschmidt collection, which left Berlin in the early 1930s and considering its dimensions, which do not correspond to a standard English size, the picture probably dates from late into Amigoni’s Bavarian period, which ran from 1717 to 1727. In Munich, Amigoni was employed by Elector... Read full biography