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Jacqueline Fahey KEYWORDS
Born 1930. Known for: Painting.
Jacqueline Fahey was born in1930. She was trained at the Canterbury College School of Art, and her tutors were Bill Sutton, Ivy Fife and Colin Lovell-Smith. Russell Clark was the most modern... Read full biography
Jacqueline Fahey was born in1930. She was trained at the Canterbury College School of Art, and her tutors were Bill Sutton, Ivy Fife and Colin Lovell-Smith. Russell Clark was the most modern influence, but students were left to discover Cubism on their own. Here Picasso’s angularity and Georges... Read full biography
Jacqueline Fahey was born in1930. She was trained at the Canterbury College School of Art, and her tutors were Bill Sutton, Ivy Fife and Colin Lovell-Smith. Russell Clark was the most modern influence, but students were left to discover Cubism on their own. Here Picasso’s angularity and Georges Rouault’s heavy outlines may be an influence, with a Cubist still life on the wall in the background, and a painting table’s equipment outlined in black behind the figure. Painted the year after... Read full biography
Jacqueline Fahey was born in1930. She was trained at the Canterbury College School of Art, and her tutors were Bill Sutton, Ivy Fife and Colin Lovell-Smith. Russell Clark was the most modern influence, but students were left to discover Cubism on their own. Here Picasso’s angularity and Georges Rouault’s heavy outlines may be an influence, with a Cubist still life on the wall in the background, and a painting table’s equipment outlined in black behind the figure. Painted the year after Jacqueline wed psychiatrist Fraser McDonald, this self-portrait bears the artist’s maiden name as signature in contravention of the accepted custom of taking the husband’s name after marriage. Just 28 years old when Fahey painted this, Fahey was living in... Read full biography
Jacqueline Fahey was born in1930. She was trained at the Canterbury College School of Art, and her tutors were Bill Sutton, Ivy Fife and Colin Lovell-Smith. Russell Clark was the most modern influence, but students were left to discover Cubism on their own. Here Picasso’s angularity and Georges Rouault’s heavy outlines may be an influence, with a Cubist still life on the wall in the background, and a painting table’s equipment outlined in black behind the figure. Painted the year after Jacqueline wed psychiatrist Fraser McDonald, this self-portrait bears the artist’s maiden name as signature in contravention of the accepted custom of taking the husband’s name after marriage. Just 28 years old when Fahey painted this, Fahey was living in Wellington where artists Juliet Peter and Rita Angus were her mentors, both women who defied convention by maintaining their... Read full biography