Page loaded successfully. Showing keywords for Kim Whanki.
Artist Keywords
Keywords page for Kim Whanki ((1913 - 1974)), known for Non objective, abstract painting. Showing associated keywords and tags.
Kim Whanki KEYWORDS
1913 Sinan County, South Korea - 1974 New York City. Known for: Non objective, abstract painting.
Following is a book review of Kim Whanki: A Critical Biography by Kwang-su Oh. Much has been written and published about Kim Whanki, the most representative of the modem Korean artists, ranging from... Read full biography
Following is a book review of Kim Whanki: A Critical Biography by Kwang-su Oh. Much has been written and published about Kim Whanki, the most representative of the modem Korean artists, ranging from brief biographical pieces to interpretations of individual works to doctoral dissertations. Yet... Read full biography
Following is a book review of Kim Whanki: A Critical Biography by Kwang-su Oh. Much has been written and published about Kim Whanki, the most representative of the modem Korean artists, ranging from brief biographical pieces to interpretations of individual works to doctoral dissertations. Yet there has been no book-length critical biography that views the artist and his work as a whole. Man Is Gone But Art Remains (appropriately subtitled A Part of Whanki's Biography) written by the artist's... Read full biography
Following is a book review of Kim Whanki: A Critical Biography by Kwang-su Oh. Much has been written and published about Kim Whanki, the most representative of the modem Korean artists, ranging from brief biographical pieces to interpretations of individual works to doctoral dissertations. Yet there has been no book-length critical biography that views the artist and his work as a whole. Man Is Gone But Art Remains (appropriately subtitled A Part of Whanki's Biography) written by the artist's widow Hyang-an, based on his journal and creative notes, is the only book available today approximating such a critical biography. The reason for this meager output of critical study more than twenty years after Whanki's death perhaps lies in the... Read full biography
Following is a book review of Kim Whanki: A Critical Biography by Kwang-su Oh. Much has been written and published about Kim Whanki, the most representative of the modem Korean artists, ranging from brief biographical pieces to interpretations of individual works to doctoral dissertations. Yet there has been no book-length critical biography that views the artist and his work as a whole. Man Is Gone But Art Remains (appropriately subtitled A Part of Whanki's Biography) written by the artist's widow Hyang-an, based on his journal and creative notes, is the only book available today approximating such a critical biography. The reason for this meager output of critical study more than twenty years after Whanki's death perhaps lies in the existence of the artist's materials as yet to be discovered and organized. Rarely does a single artist leave... Read full biography
Kim Whanki - Artist Info
About Kim Whanki: Keywords
Keywords (14)
Art Method
- •Easel Painting
Art Media
Art Style
- •Abstraction, Abstract
- •Pure Abstraction, Line, Shape, Color, Texture
Art Subject
- •Non Objective Subject
Geography/Places Lived and/or Worked
- •Asia, Orient
Chronology
- •Early 20th Century Before 1950
- •Late 20th Century After 1950
Ethnicity of Artist
- •Asian