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1858 - 1927. Known for: Genre scenes and vedute.
Luigi Pastega was an Italian painter, mainly of genre subjects. He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice. He continued to reside in Venice... Read full biography
Luigi Pastega was an Italian painter, mainly of genre subjects. He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice. He continued to reside in Venice painting vedute and genre subjects in a style that recalled Giacomo Favretto. At Turin, in 1880, he... Read full biography
Luigi Pastega was an Italian painter, mainly of genre subjects. He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice. He continued to reside in Venice painting vedute and genre subjects in a style that recalled Giacomo Favretto. At Turin, in 1880, he exhibited: Il pasto della gallina; at Milan, in 1881: Sulle fondamenta; at Venice, in 1881: Dame un baso; at the 1882 Promotrice: Il pasto alle galline; in 1883 at Rome: at Turin, in 1884: In un'ora... Read full biography
Luigi Pastega was an Italian painter, mainly of genre subjects. He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice. He continued to reside in Venice painting vedute and genre subjects in a style that recalled Giacomo Favretto. At Turin, in 1880, he exhibited: Il pasto della gallina; at Milan, in 1881: Sulle fondamenta; at Venice, in 1881: Dame un baso; at the 1882 Promotrice: Il pasto alle galline; in 1883 at Rome: at Turin, in 1884: In un'ora d'ozio and Peci esser veci!. At the 1887 Venice Exhibition, he sent: Primi saggi; La sagra al nonno; to the 1887 and 1888 Promotrice he sent: a lettera interessante; Una dichiarazione; La fede di stato libero; and a Amore materno.... Read full biography
Luigi Pastega was an Italian painter, mainly of genre subjects. He was a pupil of Pompeo Marino Molmenti and Napoleone Nani at the Accademia di Belle Arti in Venice. He continued to reside in Venice painting vedute and genre subjects in a style that recalled Giacomo Favretto. At Turin, in 1880, he exhibited: Il pasto della gallina; at Milan, in 1881: Sulle fondamenta; at Venice, in 1881: Dame un baso; at the 1882 Promotrice: Il pasto alle galline; in 1883 at Rome: at Turin, in 1884: In un'ora d'ozio and Peci esser veci!. At the 1887 Venice Exhibition, he sent: Primi saggi; La sagra al nonno; to the 1887 and 1888 Promotrice he sent: a lettera interessante; Una dichiarazione; La fede di stato libero; and a Amore materno.