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Keywords page for Marcel François Leprin ((1891 - 1933)), known for Painting. Showing associated keywords and tags.
Marcel François Leprin KEYWORDS
1891 - 1933. Known for: Painting.
"One knows above all a Leprin landscape painter. As he produced a lot on the theme of Montmartre, an attempt was made at his beginnings to suffocate him in the great shadow of Maurice Utrillo. He had... Read full biography
"One knows above all a Leprin landscape painter. As he produced a lot on the theme of Montmartre, an attempt was made at his beginnings to suffocate him in the great shadow of Maurice Utrillo. He had no difficulty in freeing himself from this shadow in the minds of those who, led by Suzanne... Read full biography
"One knows above all a Leprin landscape painter. As he produced a lot on the theme of Montmartre, an attempt was made at his beginnings to suffocate him in the great shadow of Maurice Utrillo. He had no difficulty in freeing himself from this shadow in the minds of those who, led by Suzanne Valadon, recognized the originality of his layouts and the choice of motives that were screened by his undeniable personality. His painting tells, without cheating. It betrays what he tries to keep secret.... Read full biography
"One knows above all a Leprin landscape painter. As he produced a lot on the theme of Montmartre, an attempt was made at his beginnings to suffocate him in the great shadow of Maurice Utrillo. He had no difficulty in freeing himself from this shadow in the minds of those who, led by Suzanne Valadon, recognized the originality of his layouts and the choice of motives that were screened by his undeniable personality. His painting tells, without cheating. It betrays what he tries to keep secret. And this with a candor, an abandonment, a frankness, which forces us to enter his intimate domain, to walk around and listen to the stories he recorded, the stories he told himself". in Marcel Leprin et ses amis, Musée Galliera, imprimerie Kapp, p. 7.
"One knows above all a Leprin landscape painter. As he produced a lot on the theme of Montmartre, an attempt was made at his beginnings to suffocate him in the great shadow of Maurice Utrillo. He had no difficulty in freeing himself from this shadow in the minds of those who, led by Suzanne Valadon, recognized the originality of his layouts and the choice of motives that were screened by his undeniable personality. His painting tells, without cheating. It betrays what he tries to keep secret. And this with a candor, an abandonment, a frankness, which forces us to enter his intimate domain, to walk around and listen to the stories he recorded, the stories he told himself". in Marcel Leprin et ses amis, Musée Galliera, imprimerie Kapp, p. 7.