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Born 1977 Zielona Gora, Poland. Known for: Sympolist, abstract painting.
“Michal Jankowski is a ruthless portrait of humanity. Perhaps rather those properties that we openly or subtly see as a tendency to destroy and take over the environment, regardless of the costs. He... Read full biography
“Michal Jankowski is a ruthless portrait of humanity. Perhaps rather those properties that we openly or subtly see as a tendency to destroy and take over the environment, regardless of the costs. He looks with a cold eye, not hesitating to describe cruelty, destruction of nature, cruel competition,... Read full biography
“Michal Jankowski is a ruthless portrait of humanity. Perhaps rather those properties that we openly or subtly see as a tendency to destroy and take over the environment, regardless of the costs. He looks with a cold eye, not hesitating to describe cruelty, destruction of nature, cruel competition, blindness to fundamental issues. At the same time, it is a painting that seduces with its aesthetics, attractive with this type of form that seduces and allows one to observe rot, decay and death as... Read full biography
“Michal Jankowski is a ruthless portrait of humanity. Perhaps rather those properties that we openly or subtly see as a tendency to destroy and take over the environment, regardless of the costs. He looks with a cold eye, not hesitating to describe cruelty, destruction of nature, cruel competition, blindness to fundamental issues. At the same time, it is a painting that seduces with its aesthetics, attractive with this type of form that seduces and allows one to observe rot, decay and death as visual phenomena. Wojciech Kozlowski.
“Michal Jankowski is a ruthless portrait of humanity. Perhaps rather those properties that we openly or subtly see as a tendency to destroy and take over the environment, regardless of the costs. He looks with a cold eye, not hesitating to describe cruelty, destruction of nature, cruel competition, blindness to fundamental issues. At the same time, it is a painting that seduces with its aesthetics, attractive with this type of form that seduces and allows one to observe rot, decay and death as visual phenomena. Wojciech Kozlowski.